"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
有没有太太用这两位的设定写文啊呜呜呜呜呜呜还挺带感的
冲着仨主演看的，比预期好一点，但也就那样吧。
单纯的白男……唯一的看点就是新鲜的又很寡的大本🥺🥺
赵震雄又胖回来了，这部完成度比较高，剧情也比较商业化，看的途中都忍不住站队赵和崔，动作戏也还可以，最后的剧情落入俗套，可能还是演员演的比较出色吧！挺吸引人的，可以说无尿点，但是不值得二刷
我觉得还不错，那种自由的感觉，很令我着迷。可能在另一个平行世界我也是这样的生活吧。
有没有太太用这两位的设定写文啊呜呜呜呜呜呜还挺带感的
“作家不同，你说你是作家，你就即刻成了作家，没人会给你发文凭。你得证明自己是作家，至少得向自己证明。”
这样一个平凡又坚定的成长故事本来可以照“父亲”角色的缺失（寻找男性楷模）到迷茫、困顿，探寻自我价值和身份认同的轨迹，用“痛感”使观众产生共鸣，但是讲故事的方式真挺没新意，双线叙事只是让结构更加零散了，成品到了最后搞成温吞吞经典美式鸡汤励志小品也给了我一种被骗的感觉。但是实在喜欢舅舅这个角色和莉莉拉贝，所以还是三星。
how to be a man 好棒的片子 温柔温情温馨
得放弃掉成长中来自长辈的（崇拜也好，伤痕也罢）阴影，带着爱和梦想，才能抵达成就自我的彼岸。
缺失的父爱由温柔的舅舅填补，教他做个男子汉，一大柜子的书填补童年。可惜拍得稍显寡淡。
还以为是个温情的成长故事，结果上学、工作、迷失。。。美国佬凡事以自我为中心，确实与东方文化格格不入
男人要有担当 要有车 有房 女人才有依靠
韓國流水線式類型片吧，沒啥驚喜，不過趙鎮雄越來越好看了倒是
3.5 不仅独自撑起一个酒吧，还得撑起一部电影，舅舅不容易啊。
各种情怀的拼凑，还是比较温情的家庭故事，克鲁尼真不适合导演
说不上来，其实有一个trick，但完全没有起到让人感到反转的作用。。。
拥有时代感的色调和音乐、还有小本已经成大叔了
虽然我不是个十一岁的小男孩，但是我也想要有这样的舅舅 p.s.看了下影评发现我可能错过了本片最drama的部分
只能说很无聊 因为年幼男主和舅舅的相处加一星
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