Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
青少年线（除了藏在里面的反转）真是降智廉价，杀戮本身已经陈旧乏味了。
[视][20.11.19想看]R血，导演<准备好了没>，多角色偷换主角，有些混乱，第一女主应该是<身在高地>女星。珍娜<有求必应日>戏份有限，
没看过之前几部的不建议看。老粉必看，毕竟又是一个11年了。老人都出来了是加分项。和黑客帝国4一样借角色之口调侃自身是最近潮流吗？
作为老电影粉丝我真的不想看老角色被新导演搞。。。。。。。。。。。。。。。。。
据说很恐怖，因此只看过惊声尖笑。鼓起勇气看最新作品，没想到原作这么拉跨？
但凡剧情合理一点 只有谁是狼的猜测稍显的有趣一点
警长和老警长都死了，能在看到这系列的电影很高兴，但对老角色太不友好了。
干净利落 姐妹的反抗也很好
I mean, maybe next time call the police before going in to that house?
虽然也有主角团集体降智的行为，但是比隔壁的心慌慌不知道好了多少个惊声尖笑。
情怀电影，节奏还是那个节奏，面具还是那个面具，凶手太平庸，没有第三部的女主角惊艳。警长还死了，cnm，编剧。
是戏谑也是真爱。作为恐怖片没啥吓人的，作为吐槽喜剧倒是真的很好笑
与其说是恐怖片的套路，不如说是烂片的套路！
最後高能！一直在猜凶手，放了不少煙霧彈⋯⋯Monica 明顯老了⋯⋯
三星半，多年后重启真凶的动机真的很牵强，但是看到一众回归的熟面孔还是感慨这个系列不知不觉也已经有16年了，还有就是大卫和柯特妮这对曾经的明星夫妇像剧中人物一样离婚后再聚也令人唏嘘。
虽说看这种片不能带脑子，但是所有角色都没有脑子也是让观众要疯……反派不到结尾不会死是铁则。妮芙坎贝尔现在的样子居然很不错，真让我惊讶
果然是Fan movie，台词也是献给粉丝的，剧情基本等于无，更多的是情怀加成，PS:这镇子的人的智商几十年都没变啊，还是一样蠢。
从影片来讲，比德州电锯杀人狂好
找找身边最亲近的人 凶手动机和过去的事有关 凶手是第一个被害者身边的人 又是电影爱好者和长发女是凶手
没看过惊声尖叫系列，怎么感觉像惊声尖笑风格。铺设很多反套路，但还是挺无聊的。
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