A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
最后公交车1v1挨得好凶啊孙锡久，太痛了。说起来他这个人设跟《从邪恶》的李政宰挺像的，一些纯暴力疯批
没我马东锡一巴掌呼不死的人！有就多呼几下！
依旧是马大叔的暴力执法，梗还是老梗但感觉比1好看呢～
比上一部打的爽，但剧情太拉了。具是真的帅。
三星半：一拳超人制胜天下。利字当前逐鹿江湖。生命没有国别界限，英雄不论阶级标签，儒雅的西装兜着肮脏的案底，染血的粗布裹满侠义的赤诚。越南麦田留下杀人的回忆，犯罪都市汹涌暴力的黄海，血腥草根倾倒财阀的大门，野兽刑警踏碎罪恶的织网。穿过那道狭窄的走廊，身后只有血海没有彼岸，走出那条拥堵的隧道，前方依然黑暗却是归途。
出租房里那场群殴感觉打得挺莫名其妙，远了知道挥刀子，欺近身了反而只是各种抱腰推搡？？？
“我开你的USB过去就行。”“大哥，那叫SUV。”
故事的逻辑还是有点牵强，主线不是很明显。反派有点太无脑了。好在马东锡的身手还是耐看，而且后半段追凶戏的氛围还是挺不错的。
“我开你的USB过去就行。”“大哥，那叫SUV。”
看三笠屠巨人。
还可以，不过壮汉马冬梅的拳脚有点看腻了，就那么两三个动作循环播放，不禁让人想起灵魂三问：什么冬梅？马什么梅？马冬什么？
稳扎稳打的第二部，依旧很爽，如此解压的片子不知道几年能等到一部
一方面，本片剧情流畅，节奏紧凑，快节奏里只夹杂极少量文戏，角色塑造鲜明，男主战力天花板设定，看起来是真的爽，各种徒手战刀，一拳超人，太狠了。另一方面，本片也是流水线式的韩国警匪片。无能、市侩的上司，关键时刻一定掉链子的同伴，默契、全能的编外好友，坚强的女性，偏执、黑的彻底的反派。另外，出警不带枪，甩棍拦汽车，搞不懂韩国警察的环境。最后，我不觉得哈尔滨张濂是笑点，结合《魔女2》的中国上海4人组，我只觉得韩国近期电影里中国人反派角色变多了，而且都是智商堪忧、金玉其外的死龙套反派。算是勉强可堪一看吧，勉强3星。
既幽默又热血，剧情跌宕起伏，精彩程度可以和成龙巅峰时期的警察故事12匹敌，甩当今中国电影十条街都不止
节奏欢快 哈哈哈 下一部 马东锡是不是要手撕灭霸了
虽然剧情平淡，节奏一般。但是墩墩真的是可爱的，我可以一直盯着看。ps记不得第一步的剧情，有些点没get以及主角光环压他人太多。
系列片最重要的就是稳妥，稳扎稳打。继承了1的风格，即使暴力桥段，也用轻松的方法叙事。给这个系列定这样的调子非常合理
非常标准的韩国商业动作片。制作水平依旧在线不拉垮，节奏张弛有度娱乐性很强。马东锡以不变应万变，即便是在模板式的韩国类型片里，创作者们依旧在人物设计和一些细节上力求新意，比如睿智冷静的被绑架者夫人、马东锡拳拳到肉之外的粗中有细的动作设计等等。和第一部少了些惊艳和名场面，孙锡久饰演的反派虽然精彩但少了些层次，碍于剧本上所有角色都提线木偶完成注定的功能属性，所以可惜了正邪对决上没有第一部的立体爽感。看优秀的韩国商业片时总在想，如果香港电影如今还保持活跃和高产，会是一番什么样的景象呢。
有一种具先生在鸭子店混不下去了变身绑架犯的感觉
下下部打变态们联盟。
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