剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 枫凌 1小时前 :

    抄《这个不杀不太冷》,但是很流畅。抄也是要动脑筋的。

  • 那拉鸿云 7小时前 :

    号陈女版“大叔”,看完感觉更像女版“玩命速递”。

  • 桂琛 1小时前 :

    编剧肯定看过空中监狱和盗墓迷城。那个小男孩跟玄彬那版大叔里面的小女孩比,差远了。黑警演员自带笑场,仿佛暴力血腥也没那么刺眼。“不用你管狗东西”原谅我直接笑出声,还有后面跟黑人小哥飚英语,幽默~

  • 昕雅 3小时前 :

    我就喜欢可爱的萌鸡们 妈妈也好伟大!还有两个人类(忘了叫啥 开了一个动物医院的 好看!

  • 楠雪 4小时前 :

    Special.Delivery.2022.1080p.BluRay.DDP.5.1.x264

  • 线秀慧 3小时前 :

    // 老式后驱车,女主是个拖贝者,街头漂移逃跑,这八杆子打不着的人设

  • 闻人蕴涵 1小时前 :

    不得不说,韩国电影市场成熟度真比我们高

  • 雨旭 3小时前 :

    朴素丹转型可以

  • 林蔓 7小时前 :

    脱北孤儿女主以危险驾驶为生,男孩父亲拿了搞赌博黑警的密匙被追杀至死,女主接单接他们,不忍不管男孩被牵连,最后在女主老板的旧车场决斗,老板黑警死,女主奇迹生还又见男孩结束。

  • 狂景明 5小时前 :

    真的算是性转版baby driver,最后还有点杀手不太冷的意思,挺喜欢的,好看。但是BGM和节奏没学到极盗车神的精髓。

  • 茆洁玉 3小时前 :

    // 老式后驱车,女主是个拖贝者,街头漂移逃跑,这八杆子打不着的人设

  • 郁承嗣 5小时前 :

    Drive + Léon,比较实在和认真,值得想拍类型电影的新人创作者学习,但对于类型电影的经验观众来说,则是非常的熟悉和乏味了。

  • 次景中 2小时前 :

    韩国电影这两年剧本越来越敷衍,都是流水线作业,挺无聊的。

  • 梅梅 7小时前 :

    与其说是性转版《大叔》,更像是性转版《这个杀手不太冷》。宋清晨这种演技为啥不红呢。

  • 集昆颉 5小时前 :

    朴素丹如果走动作戏的路子也是可以的。谁能不喜欢酷酷的开宝马的女孩呢?而且车技还是赛车手级别的。剧情还是比较套路的,小男孩刚出场的时候就知道酷女孩的软肋出现了。虽然知道女主为了救小男孩会付出不小代价,但是没想到代价这么大。第一场小巷追车戏和最后的打斗戏都挺好看,用起子当武器很帅气,只是我看得肉疼。如果小男孩没那么弱就好了,并不是所有主角走入绝路都必须安排一个角色变弱智的,这方面剧情讲究一点就更好看了。

  • 露采 1小时前 :

    女主加分,车技加分,剧情么…一眼望得到结局的那种

  • 月雪 5小时前 :

    还行,飙车戏不错!女主那种单眼皮婴儿肥的模样也是我喜欢的,但是归结到女版大叔这个范畴是不对的。为什么这种高战斗力的都是脱北的设定,看来韩国人比较疲软。

  • 速鸿云 3小时前 :

    来废车回收厂还有这个副业,给了个好的结局。给了观众一点安慰。张科长可以继续了

  • 韵栀 8小时前 :

    大叔配萝莉,大妈配弟弟。遗憾的是小演员没什么灵气

  • 运嘉 8小时前 :

    中规中矩吧,感觉韩国这种题材的片子很多,但出彩的不多,警察里面黑警多,可抓黑警的不多。

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