Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
一般吧 原来那个时候那么多猎魔人 画风非常欧美，我不是很习惯。 但是猎魔人一直被当怪物， 这个就很正常，原著矮人啥的最后不也被人类清理，很真实。 片头那个3s的狼头 好帅啊
男主太废柴了，有一些剧本的小漏洞，但还是很不错了。
音效真是拳拳到肉，看得我真怕后面突然冒出一个人，真的太吓人了。最后的反转真是又现实又讽刺。尼玛小蓝推荐得很好，下次不许推荐了。集合了我所有不喜欢的点，婚姻矛盾、暴力血腥，真是太合我胃口了呕！
我可太心疼老爷子了。后面打斗有点过于追求刺激导致有些拖沓了
m21222：节奏稍显快，感动那一幕相拥。
我可太心疼老爷子了。后面打斗有点过于追求刺激导致有些拖沓了
不同的炼金药灌入体内之后就会获得自由与财富，当达到猎魔人水平天花板的时候到头来架不住时代变迁变成了被讨伐的对象。为消灭怪物而生，却又制造出新的怪物。假装忘记彼此，谈话间的温情就像回演了小时候离别的心结。
看不懂前因后果，味同嚼蜡。不死的猎魔人和衰老的恋人之间的感情挺动人，想起吸血鬼猎人D。
画的不错，但是没看过原剧和原著，感觉上就是个无头无尾的故事，不怎么样
二，青草试炼可以生发。
剧本好的不真实，动画赞的不真实，好爽好过瘾好感人好唏嘘。
简单直接的暴力血浆电影，夫妻两从敌对经过一系列血浆事件后和好如初。话说喷子的威力确实大啊
這是一部很有趣的恐怖喜劇，屬於黑色幽默風格，總的來說很有意思，環環相扣，反轉很多，就是結局我不太喜歡。
陪孩子看的，网飞真的平均水平不高，还特多网络氛围组。
看的过程还是蛮爽的，充满了各种恶趣味暴力血腥，不过还是会感觉到这是为反转而反转的商业套路电影，看似编得挺讨巧，其实bug挺多，反派过于卡通脸谱化。
3+。不知道狼之噩梦是什么意思。打斗戏份很激烈。画风一般。音乐一般般。看懂了。没有绝对的好人或坏人。精灵太惨了，没有自保能力，被人类唾弃，跟人类斗争。所有人都输了，只有人类赢了。
看之前：这个维瑟米尔也太帅了点，正片会不会不行啊？看之后：猎魔人就是这个味儿，香！
对挪威人从此respect拉满 这密集的反转再反转是真的刷了三观 。是近期想要分享的电影top1了，转念一想，要分享的那个人刚和我一起看了电影。
作为凯尔莫罕之战的缘起，本片的主线故事情节略微单薄。单独一位女术士被塑造成了最终反派，人类群体对于异端的恐惧与愤怒的爆发点，这在情绪上不够剧烈也缺乏逻辑。与巫师三游戏中当女术士群体成为人类讨伐的异端对象时，那种广泛的狂热相比，真是相形见绌。但这不算致命，本片对于维瑟弥尔背景故事的补完，以及对巫师世界后续故事发展的细节暗示，都令我这个游戏忠粉狂喜不已。科德温国王即愚昧肤浅又是不折不扣的自恋狂。尼弗加德民俗彪悍颇为严苛。联想起巫师三故事中国家间的征服与灭亡，不禁令人感叹成败的定数实际上早已在不曾被人想见的过去就已经埋下了。这又与本片的另一主题相呼应，时间。人类，王国，怪兽和自然的命运都历经着沧海桑田残酷的变化，作为一切故事的见证者，精灵，术士和猎魔人们强大的生命力又未尝不是诅咒。
白狼前传。老头还是纯情少年。交手太果断了，一刀断头。好久没玩游戏看见个妖灵水鬼都觉得亲切。
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