Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
很传统的运动离职电影，可能没那么多的波折，但是也曾经为了生活跌入谷底，为了生计成了超市的理货员。如果不是还热爱着橄榄球，如果不是加入的支持，如果不是有慧眼识珠的教练，传奇就不会发生
摄影很牛逼，瞎子的动作戏不好拍，全靠镜头的转换！上一集记不清了，最后不是把女猪脚抓住给他生孩子了么？！怎么这一部孩子还是别人的？！虽然没第一部好看，但依然是一部佳作，第一部属于恐怖片，这一部其实是动作片！和连森大叔救女儿差不多的情节！不会有第三部，大爷死了，最后也忏悔了，他就是悲剧，退伍军人，女儿意外死了，他为了继续有女儿的日子，终于把自己葬送了
除了女主太丑，其他一切OK，毕竟基于真实故事改编比较励志
没有耍花样的过分刻意的桥段，剧情和表演都很平实稳健，主题强调亲人之间的互相支持！
小女孩太飒了。虽然这一部变成了动作片，不再有那种屏住呼吸的惊悚感，但是如果不当作恐怖片来看的话比上一部要好看。
亏得我还专门去看了第一部，结果看完大失所望
不吓人 不惊悚
亲妈出场把我吓个半死，节奏蛮好的，延续第一部的风格
现在的动作电影，是不是每个退隐的大魔头，最后都会变成John Wick……
1.亲生爹娘制毒贩毒还抢心脏，养父杀人强奸不给自由，当孤儿很不错。2.老头子装瞎，能一个人摸到陌生旅馆的电闸。3.猫能报恩，狗也行啊！！4.你看，在美国自由最重要，最终小凤笑得好灿烂！Freedom
放在八十年代可能只是普通体育励志电影，放在今天反而成了罕见的不恶心人的好电影了。
全场最佳是狗勾！
还是那个帅气的老头，故事一般，老头不适合个人救赎，还不如直接拍成暴力黑暗系，把老头黑化！小女孩先要被亲身父母弄死，结果小女孩反杀，先砍了妈的手，后捅了爹的背，就连狗都咬背叛自己的主人。这个编剧好样的！
不出意外地烂尾，空巢孤寡老人彻底变身不死小强，大爱无疆甚至感动收服了对手的斗牛犬，对方阵营光头汉更是圣母直接放水送地图，可收养八年想培养成小天使没想到最后砍妈劈爸，惜最终落得鸡飞蛋打，连房子带狗都被一把火烧光，就看第三部怎么给盲老汉再编了
电影重点是家庭上面，永不放弃自己的梦想。关于橄榄球场面少点，不过不影响。电影还是很感人，很励志，百度了主角的人生经历，电影呈现了很少，他的励志经历还有很多的！
当世界失去光明，我们需要盲人为我们引路
一直都很偏爱运动体育类的励志片，真实的故事，诚挚的情感，不懈的努力，家人的支持，所有的一切都只待机遇的来临，点石为金，开启高光时刻。每一个人都有过梦想，而这种成功故事一定会感动大家。
虽然制作尚可，但2还是落入了俗套，变成了一部普通的虐杀片。
真的死了吗？有点洗白，但是和自私的人性相比，付出的爱就是最好的救赎。
前半部剧情有些不连贯。不过后半段确实很感人…作为一个真的热爱某种运动的人我是能感同身受的。
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