Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
先无脑给个五分吧。3.5左右的水平吧，说实话二位男主演技有点撑不起来整个故事，还有点带着以往角色的影子，邵庄稍微强点，宝哥你是演社畜上瘾了嘛？不过观众也带着角色滤镜啊，就是死活觉得他不适合演社畜，加上台词有点拉垮，给他整个浮夸点的角色就好多了。故事的话也有点拖沓，就算保留故事线还是很多东西可以更干脆，碎了影响观感，可能电视剧搞惯了转电影有点水土不服吧？但是话说回来了人这剧本拿到网大里面肯定还是出挑的，可以打磨打磨剪辑。
所有的网络电影份额都给你们团队留着，继续加油吧。
我对这个团队是有偏爱！
如果把这部影片比作一首歌，那么主歌部分还凑合，副歌部分有点崩了
你们说情怀，我觉得不是，起码要态度认真吧。这个题材还行，故事性完全不行
剧情很不错，一环扣一环，看完之后有一种温暖的感觉，人真的应该多敞开心扉，对人真诚，不要总活在自己的世界里，多关注下周围的人和事！
如果把这部影片比作一首歌，那么主歌部分还凑合，副歌部分有点崩了
优点：荒诞搞笑剧情向，完完全全我的菜；大的叙事节奏无比顺畅，优映的剧组员工演技优异。缺点：小的喜剧节奏和镜头把控不太好，好多笑点和燃点没留气口，刚想笑或靠就被带过去了，好可惜！不过相信以剧组的进步速度肯定能越来越好！
非常努力，但是还是差强人意。其实邵庄和杨羽因为形象的原因还是适合做坏坏一点的角色，从《杀不死》到《保镖》再到这部，一直在演忠厚老实和稳重的角色，不合适，建议把痞帅的感觉发挥出来，真正因为角色塑造剧本，而不刻意因为剧本塑造角色，发挥自己本色，才是最好的演员
文戏太拖了… 质感很像网大 虽然我理解想做成疯狂石头那样的黑色幽默 但他俩这屁大的事儿和纠葛 怎么看怎么觉得是过家家 再加上游戏这事儿 确定不是打广告？？
和毛骗比差点意思。剧本搞得不是很行云流水，一般吧，看他们在一起打打闹闹还挺感慨，怀旧为主。
优映还是稳啊，有李洪绸领衔的出奇创作组操刀剧本，基本不会出什么问题，如果有人说差，那也只能是相对于《毛骗终结篇》而言的落差
还是盖里奇那种 其实哪都挺好的 也有自己的东西 但是就是相对于电影来说 差点什么 就是一扇门一样的东西 没打开 ..要是有明白人指点一下就好了 我也说不清楚 总的来说还是好 还是喜欢 尤其两个人对着喷那段 生活里有这样的人挺好...比太多网剧强了 99%吧 龙哥仗义 包哥还是那么逗 只不过只能说牛不能说b了
看出点疯狂的赛车内味儿。有情怀加成看得很开心，笑死，应该是冬冬导得最好一部了
洒水车的音乐仿佛圣歌，五菱之光下来了十二个人。包哥帅众出马，基顿场面进城。
我一直很看好李洪绸导演的相关系列作品，不过好像最近他们的水平一直在往下走。邢冬冬在导演方面确实也是差强人意。作为曾经的网剧之巅，感觉他们更适合拍悬疑，那种给人的代入感才是真的强。
加油啊，毛骗团队，希望哪天能在大银幕上看到你们
剧情还是很精彩的 笑点也很够 情怀也拉满 很好看
毛骗原班人马拍出来的果然不同凡响，名副其实低成本高质量！
和以前的其它作品相比 有点普通、平淡了 但作为网大还是值得一看的 依旧是充满荒诞、反转的老套路 还带着正能量 老粉很容易发现的彩蛋 一个是庄哥乐队的配乐 一个是结尾获奖的电视里的作品 还是期待下异物志吧（冬冬太逗了）
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