Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
非常棒 姑娘每天都看但再看这个电影并不会觉得腻 剧情虽然套路但是很紧凑细节满分 很惊喜 还把爸爸感动哭了😂
前半段默默有点不喜欢贝贝这个角色，结果到她有摩托车的时候居然感动哭了……
《侏罗纪世界2》最棒的莫过于结尾处，恐龙进入人类世界...结果《侏罗纪世界3》根本没有现代物种与恐龙之间的战斗，并且，全片 2.5 小时，恐龙的打戏少得太可怜，反倒是一群“人类”发牢骚...另外，绝对模仿了 Apple Park 和 Tim Cook，太 TMD 相像了！从怪兽的趣味性绝对没有《金刚大战哥斯拉》来得精彩啊！
这片子对看了七季2D狗狗的小朋友来说，就像十几年前的我第一次看钢铁侠。专挑寒假上映，不知道即将刷多少遍😂
本以为可以装嫩一把，结果睡着了，睡得很舒服
没有想象中难看耶。马耳他一段比较亮眼。老年组每次出来夕阳红我都看不下去。美国人的特效在复古式进步，但布景实在是越来越小和假了。还好我现在看好莱坞大制作都是薅羊毛，看特殊格式是不可能看的
比剧集版真实、好看太多，剧情紧凑，细节到位，也多了一份温情！
火烧大蝗虫然后形似陨石坠落，复刻恐龙灭绝那场戏留下深刻印象，其他的就是，soso，和近几十年的冒险片，灾难片一样的常规镜头，开始感到厌烦，人类戏太多了，似乎恐龙已经不是主角，他们只是人类之间互相博弈的一个由头，这个由头是什么都无所谓，反正都是人类在搞事情，人类才是站在食物链顶端的生物。相比电影本身，我更喜欢先导预告片序幕，近四分钟没有人类的近乎纪录片的恐龙世界，那才是真正的侏罗纪世界，我宁愿看俩小时纪录片，内容本身也就两星半吧，配乐和镜头还有点儿复古感，但给三星，以表对恐龙的尊重，结束这一切吧，别再拍了，
情怀拉满氛围打上，闪电暴雨那么一铺垫，霸王龙那么一咆哮，老的三人组那么对视一笑，谁还管剧情离不离谱啊，蝗虫是啥？把它当成有恐龙基因的小恐龙就行了！经济已经这样了，还是要让人看些老电影开心开心的！
孩子第一次真正坐在影院认真看电影，片尾曲我得单独再听听。
欧美动画片已经退步到还没五年前的喜羊羊会与灰太狼大电影好看
段落上来说中间马耳他黑市的混战比较精彩，结尾高潮处回归《公园》式的触发剧情，搭配适时出现的小惊悚与每部必有的霸王龙时刻，在老调重弹中稳健地结束了新三部曲
感觉还是挺好看的，比平时的动画片多了一种美国大片的感觉，可是我太困了还是睡着了，女儿说很好看，但是也没能告诉我到底演了什么。
完完全全是给小孩子看的电影(大孩子表示童真真好，中的电影票真香)
这是女儿第一次在电影院看的她最喜欢的小狗狗，值得纪念。
比第一部好看太多，情节流畅有趣，很多转场有着主流好莱坞电影的架势，动画的细节也更生动，非常期待下一部了。
片头危险的海域和巨大的恐龙让一瞬间让我想起我一直以来的噩梦，梦里最害怕的就是深不见底的海和怪物，但是呢越往后看才发现远不及我的梦精彩，差很多意思。
我觉得蛮好看的，居然还有感动到。不过我是陪五岁的小朋友去看的，她全场一句话也没说，一秒都没吵，出来的时候跟我说了一句，我差一点想哭了……
寒假的最后一天休假带儿子到影院去看的。这次是一个完整的故事，比去年要好看
家里小朋友第一次进电影院看的电影，三个人都很开心😃不过我要吐槽一下，普通话配音故意把所有人的名字说的像英语，可是阿奇的英文名是Chase并不是Archie（虽然也毫不重要），再就是经典台词貌似没怎么出场啊……没有困难的工作，只有勇敢的狗狗！
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