Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
就很合格的爆米花魔法片儿嘛
Jacobo变成拿来当笑料的喜剧人了，嗅嗅和周树人仍然卖萌担当，解锁了新的动物，他们磕的GGAD也磕到了，总体来说中规中矩
到目前为止 这个系列我最喜欢的还是第一部 他给我看到魔法世界更多的可能性
笑死，这GGAD同人作品吧？所有人物（工具人和工具动物）和剧情（如果这也能算剧情的话）都在为他俩服务……明面麦麸好嗑程度锐减，孤寡老人邓布利多（点烟
魔法界口口声声的选票，就是一只麒麟的认可，决定魔法世界最高权力的麒麟居然就野生在雪山里，还被莫名其妙的人杀了，突然理解魔法界为什么被麻瓜世界压一头了。两个世界不一定要非此即彼对抗，一场婚礼结尾代表了两个世界的结合与包容。
哦我的朋友，你要承认，这真的非常难看，但是在格林德沃和老邓捂住对方胸口的时候还是哭了。“你和我——我们爱上了比自己更好的人，却把一切都搞砸了。我让你赢得了那场决斗，因为我想你可以拯救我，你这个背叛我的杂种，你回报我的就是让我独自腐烂。但你不会摧毁我的。你无法摧毁我。我们都太老了。我们属于一个世纪之前为水车供水的溪流,而不应该在世界之巅的高塔上逐渐腐烂。我们属于最初,彼时我们的才华尚未被责任拘束，我们的美丽尚未被岁月摧残。在那些通信将我们毁掉之前。
有原著粉丝愿意告诉我这个系列有什么好看的吗？看男同在城堡上呲烟花吗？
麒麟宝宝世界最好最纯净最可爱 我的泪水全为它而流
告诉我，神奇的动物在哪里？在预告片里吗？
3真的扑街了，找不出任何亮点，从头到尾就重复着哈利波特宇宙的陈词滥调……话说回来其实我真的不反对捡点哈利波特原著里的垃圾，那么多的梗和铺垫，你哪怕稍微加工一点都还能看的。然而令人失望的是：不管裘花和麦叔怎么张口闭口“爱“啊“恋”啊，甚至结尾互相摸胸，我都没看出他们之间哪怕一丝一毫的CP感，毕竟书里写的那个眼神中有点George/Fred捣蛋鬼神气的大魔头，那个死都不希望邓伯多坟墓被打扰的大魔头，最后呈现出来却是这么一个无聊无趣只会杀小麒麟的面瘫呢！（如果让我编，我就要G在竞选上舌战群儒颠倒众生，揭开其他候选人的伪善面具，就冲这个看不惯陈腐的叛逆劲儿，D才不后悔17岁那年的初恋心动😄）
你照着雍布拉康描摹一个圣地，然后告诉我这是不丹？
我就是来看GGAD的，无脑四星吧！所以最后邓布利多的秘密到底是什么呀？？他家的那点事以及他和老相好的那点事，大家不是早就都知道了吗？？
邓布利多之谜是他的爱情 是吗是吗是吗 巫师界也兴这么腥风血雨的出柜吗 说句偏激点的 从选择德普和裘德洛开始 GGAD算是被罗琳彻底毁掉了 罗琳别做编剧 叶茨别做导演 求求了//从头至尾 大概就只有斯卡曼德兄弟和科沃斯基的演员选择没有问题//原来以为HP后四部已经够难看了 谁能想到还有FB五部呢
格林德沃的手下要么是叛徒要么是路人，一个得力的都没有，作为boss的牌面跟伏地魔完全没得比；
二刷，老邓如此细腻而孤独，哥哥突然帅到国家宝藏高度，我珍贵的电影IMAX自由，如此珍贵。
霍格沃茨主题曲响起，也是软绵绵，没有丰盛食物和鬼魂
说好给3星的还是要+🌟！只为了那句”谁还会爱你邓布利多”！ggad越回味越上头～剩下要夸奖龙虾🦞之舞精彩片段堪称堪称全剧高潮。麒麟造型不是白色不是龙衍生感觉功课做歪了…最后：搞事业搞政治的格林沃德高贵leader果然不如淫威施压洗脑邪教伏地魔大人来的有霸权感！希望后几部能拍的紧凑&逻辑更透一些。以及，没有彩蛋。
and 果然还是删减了那句
真不能批评它剧情烂，因为这根本没剧情，什么玩意儿都，all bullshit
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