Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
2020疫情之年，日本人把《绯色的弹丸》往后推了一年，而台湾人却罔顾疫情严峻自己动手把TV动画京都篇剪成这部电影圈钱，光凭这个，这部片就只能打一星。
tv982-985 世紀之吻鯊我 現在壓力給到服部和葉這邊～（關於案件 新的成年陰影出現了！以及不要打啞謎啊求求了
9.3/10 本来应是去年为了安抚粉丝无法在大荧幕上与柯南相见而特别上映的一部影片, 最终还是由于疫情再三延后至今年也是唏嘘不已。 至于本片, 本就是两集TV版的合集, 除去预告和回顾, 连片头片尾曲和中间数次开关门的部分都全数保留, 因此单独作为剧场版来评价不太合适也多有困难。 此外作为主线一环, 与前后剧情衔接之紧密导致本片对路人而言观影门槛不算低。 如此一部为了粉丝的粉丝向影片, 也许不以路人的视角评价会更客观。 当然如果是粉丝, 这一章是不可错过且水准在线, 非常值得在大荧幕上重温的经典篇章。
案子还可以，CP真好嗑，这集所呈现的新兰可是纯纯的可爱高中生谈恋爱，不可多得。
新兰永恒！！！新兰yyds！！！世纪之吻yyds！！！/没话说了，只能用永远的神来表达我的激动和泪目了。/以为是新电影结果发现是自己几年前看过的糖！第一次发豆瓣动态就是发的这个！！
优酷名侦探柯南日语版的982~985集～呦西～
洗衣机的甜还是很甜的。
首先先恭喜工藤先生和新一女士 在25年后终于开始交往了！（而我研究生都快毕业了） 然后就是 忘记去看被血染红的清水寺舞台了5555 明年我一定补上！
新兰党双箭头不纠结系列，虽然案件只有天狗噱头部分很绚丽，古代的传说故事也很精彩，妻子贤惠，丈夫仗义爱妻，变天狗，救苍生。再次感慨，有效及时的沟通可以避免很多的案件和怨念。
永远不会忘记学生时代收到喜欢人的消息时的心动呜呜呜呜呜，我好想永远十六岁！！！
呜呜呜呜呜呜就为了那几秒我都可以再多磕100年
难得新一出现了，还确定了关系，就凭这个也值得一看。
悬案真的过于牵强，但本身就很甜，可能等糖都太久了吧
好甜呀！原来粉红泡泡亲吻的地方就是这里呀～ 新兰cp党追得挺不容易的。从暧昧到确定关系，就是这样的，刻画得好好～案件一般啦 哈哈
个人而言正统的热血日漫 剧情一眼望到头 但是制作精良有诚意 打架足够热血炫酷 这不就够了吗
脸bobo而已( ˘⊖˘）这集的推理有点扯，便签笑死
文戏在漫改电影中超越《守望者》
世纪之吻，老夫没有白等，一定要等到他们真正接吻那一天TOT
这两年柯南风评不咋地，本来气氛到了却没亲上，这部最后真的是发糖吗
只要看一次还是会心动一次的定情之吻。让我将清水寺定为日本必去的景点。
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