James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
穿插的一些社会嘲讽桥段还蛮有趣 9/11 @ WE Cinemas
【6.5】本质是一个猫鼠游戏式的故事,荒诞而充满黑色幽默的剧情,讽刺的是居然是根据真实案件改编。
韩国人的剧本确实强,改编就是在你知道剧情的情况下还让你跟着跌宕起伏。
判得出乎意外的低
草草了事,除了兰博基尼和Bebe不知道这片子还有啥看点。
抖音刷到的这部剧的解说看起来是爽片,实际看了之后发现确实,但是没有很大的那种爽点一般般吧,就是单纯的爽片,不要有什么价值观。
不知道有没有人发现,庭审旁观的金发女就是洗钱那个
1812序曲 - 從萬能到麻木
家庭主妇利用工厂偷窃要销毁的优惠券,做成大生意…
把那么另类有趣的亚当斯一家,整得如此大众且乏味,真是叫人大跌眼镜。
剧情没什么新意,暗黑科学家哥特少女星期三好对我的胃口哈哈哈!
直接大喊是黄政民也是有趣 内部矛盾导致犯罪失败啧啧啧 比中国版的要曲折些?中国版的我都不太记得了
还可以啊!比原版的更刺激,最后居然自己救自己!
《人质》,韩国版的解救吾先生,中国版是影帝刘德华,韩国版也是影帝黄政民,刘德华演的感觉比较接地气就是,有强调是当过兵的,所以能打;韩国版的倒是没有强调这点,直接活生生的就拿黄政民本人来演绎,战斗力有点惊人就是,如果是一个演员来说,感觉有点夸张了就是,还有把韩国警察贬低的真的是一文不值,被绑匪骗就算了,连最后还是被黄政民给救了,跟中国原版的比起来确实差了点,但是给剧情的设计,演员自身演技的加分弥补了回来,整部看下来,还是很紧张刺激的。
上一部还算不错,没想到续集直接低智合家欢,令人失望~5.0
清汤寡水平铺直叙的故事,到底是金钱诈骗还是人生励志!努力拼搏了的人生才是精彩的人生!
我为钱狂的同类,丢钱的不想追究责任。这要换个地方可以枪毙你
也是搞不懂。明明一个罪犯,在片中硬是被赋予成勇于突破生活桎梏的新女性。
黄政民演黄政民 整部电影看下来也就都是黄政民 是不是给双份工资啊
感觉内核变了,怎么拍成了少女青春叛逆片,虽然一家人还是很萌,但真的无聊
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