Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
紫霞最后流泪的瞬间我觉得至尊宝输了 我也快哭了 应该为紫霞再回到500年前的至尊宝
我觉得吧，网大拍成这样真的应该给予鼓励，而不是无止境的挑剔，男女主演都挺入戏的，挑战紫霞和至尊宝这俩个角色观众不跳戏不油腻已经是地狱难度了。故事上的瑕疵问题就可以放放了，瑕不掩瑜。
好好看。除了星爷版最喜欢的大话西游了！！！！！好走心。成本低不是主创的错，剧本很不错呢
本抱着看笑话的心态看的，没想到意外的还行，还有就是应该被删减了很多镜头吧
这版故事智商在线，紫霞灵性十足，打分是不是太低了点？
三星中肯，不褒不贬，这个主题被安排了20多年，算是一个不太圆满的句号吧。
剧本和表演上问题不大，但非要往这个ip上凑肯定会是这个结果
冲着吴孟达来的。这应该是他的遗作。可惜浪费时间给这种垃圾片。
看了十分钟开始二倍速，还是嫌慢，有些剧情没有意思也没有意义。男主有点像黄轩但演技不太行，女主长得还行，比网红脸强。
好像有个白蛇缘起吧，不是动画片，是个真人版的，也是讲的白蛇前世，这个感觉不如那个
全靠同行衬托吧，两位主演确实比较质朴生动。
真的已经比刘镇伟后面的那些好太多了，感觉周星驰看了也会喜欢里面的一些东西。
这部竟然没被推出来，吴孟达的最后一部，冲着他开的，高于预期，终于把之前的疑惑给圆了，虽然男主的猴子扮相太尴尬，石猴机器人无语。其他的设计都挺天衣无缝的。喜欢紫霞那句：“我想让你变成我喜欢的样子，但是现在的你我已离不开。”
就是三种感觉：①缅怀达叔；②致敬《大话西游》系列；③重温《一生最爱》歌曲的感动。其余的，五毛钱特技，全剧无笑点，人物塑造太肤浅，当作消遣剧看看即可。
多一颗星给达叔。还有能还原当时的场景，也算是不容易了。
我感觉这个电影的感觉是对的。所以值得推荐。也就1个小时的小故事。我觉得很好。
竟然还可以，第一达叔，没想到。第二竟然看到紫霞没有讨厌。
第一次看“网大”这种片子，还真的不能以“电影”的标准来要求它，毕竟周星驰的至尊宝无法复制，没有第二个人能演绎出那种无厘头下的申请来，任谁来都像在挠痒痒，即使达叔也不可能带的动。但降低期望后，其实紫霞的扮相还是说得过去的，但气质上不够灵动自然，应该是达叔最后一部喜剧片了吧，老爷子走了一年了，随着老一代人的逝去，港片就只剩这种炒冷饭的情怀了。
心念念的东西，求而不得，现实与梦想的背道，还有那愁中的乐，再续经典之作，为咋天的梦，此时的感受，5星！
作为网大还凑合吧。补一句，不考虑特效制作等，目前最好的大话西游模仿类作品。比刘伟强的大话西游3好看一万倍
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