Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
头十分钟的反套路挺惊喜的，跟之前2020年那部《狩猎》一样的开头。小丑女逃狱那段撒花画面也是美爆了，笨笨的鲨鱼好萌好喜欢它。捕鼠者真的是激发密集恐惧症的点。。。还有那只海星也是。。。。虽然本体还是挺可爱的。由于反套路太多，笑点也是挺不错的，比如杀入村落救Flag那里，真是笑爆嘴。哈哈哈~~看样子还会拍续集，假如gunn导继续的话，还是挺期待的。
DC的这个重口度+搞笑方式绝了，我这个漫威粉突然就爱了！
美国派军队前往某国对某生物泄露事件溯源，结果调查发现该生物正是美国从野外捕捉，并准备将其武器化而释放出去的。正义的干部福某人想要曝光此事却被和平按倒在地，美军领袖更是百般阻挠，威胁“谁上前帮忙我就干死谁”。
和平使者，真是个笑话！哈哈哈哈哈
极尽可能的添加趣味，第一口甜甜的还不错，一口口的吃下去就吐了。玩点林中小屋的梗也是审美有限的征兆...
滚导的一些恶趣味放在自杀小队里非常合适，前一秒还觉得要有逐渐无聊的趋势，后一秒马上来一个“神经病啊”的笑点，奇形怪状很适合这帮怪鸡。动作戏丝毫不含糊，撒血浆送盒饭更是绝不吝啬……花瓣血、彩色波点和眼液血管几场暴力戏更是充满了怪异的美感。人物塑造给我最大惊喜，几个人物刻画得很丰满，二代捕鼠者和哈莉尤为动人，还有我最最好的正义小队Rick Flag！鲨鲨太可爱了都给鲨鲨nom nom！缺点的话我是觉得歌有点太多了……
1.风格一看就是《银河护卫队》，边打架边跳舞，一看还真是同一个导演。
太爽了吧，要我说拍漫威的"合家欢"电影学院限制了滚导的想象力。
真是一群傻逼神经病（衰人👽）打外星海星。
又荒诞又唯美，但有佳句无佳章，整体性不足。
莫名其妙的老黑男主，更莫名奇妙的鲨鱼鼬鼠等人形生物，好在还有小丑女继续光彩夺目
1.风格一看就是《银河护卫队》，边打架边跳舞，一看还真是同一个导演。
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漫威放走谁也不能放走詹姆斯•古恩，这不比《黑寡妇》精彩。
确实很搞笑！滚导在超级英雄电影这块应该算喜剧功力第一人。本片其实比《死侍》更夸张，更疯狂。作为群戏，角色大都比较出彩，特别是鲨鱼人、小丑女、和平使者和扔彩条的哥们。结尾还是有点弱，关键在于片子很有趣，可真的是没讲出啥东西来，这点上反而不如《死侍》。
目前最好看的爆米花类超级英雄电影，全程笑料不断、血肉横飞，每个英雄都刻画很到位，鲨鱼王萌萌哒~
21_178。血腥，搞笑，大概还有点复古？套路的架构用了很多不套路来修饰，挺好看的
8.0分，嗯，就这？？好吧，没看过老版《自杀小队》无从对比，但真的是太一般了。最萌的可能就是纳纳威，还以为是cg做的，没想到竟然是动捕，演员可爱牛逼～血浆碎肉齐飞，爆炸撕人不停。爱谁谁吧！
比之前那部自杀小队强不少，虽然明星不多，只有哈利奎茵一个比较具有知名度。但是新晋角色也各具个性，而且登场的角色包括那些打酱油的应该有十几人之多吧。说是一部英雄集结的电影丝毫不为过。电影以插科打，混搞笑形式为主，让整体的氛围比较轻松。和暗黑系的DC风格大相径庭，这其实也挺好的，只要观众喜欢，那就是好的风格。但和DCEU之间的联系呢？是越来越薄弱了，哈利奎茵大有取代神奇女侠，成为DC一姐之趋势。但对于这样剧情各自为战，内在联系甚少的DCEU我还是比较失望。
好久没看到好看的商业片了，花瓣、波点、一场雨好像天使在到处射精，R级，可爱又恶心，浪漫又邪恶。本来在太空看浩瀚星空的派大星被美帝宇航员抓过来，抱面虫在超英世界里原来也很强大。最后又来触手搞一搞，逻辑不禁推敲，官能尚好，密集恐惧+老鼠恐惧还是慎看...
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