Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
目前来看是网大最高水准线，已经超越了很多院线，笑点泪点燃点全在线 ，设计的游戏骚操作实在秀到我 ，不管是通过坐进车子 避开其他车子撞击再 从另一边下车杀人，还是用箭弩无声杀人 ，再是换id 诱敌 ，到高潮用3个空投引战连杀 30个人头 ，再到最最高潮点平底锅互干，光从剧本就能看出，导演真的很认真的在了解这个游戏 ，而且幽默感是与生俱来的，演技全在线，尤其是小孩 ，除了男女主的感情线略微生硬外，父子情的部分可以说达到满分。
小时候的东谷准太hin可爱！高人，你知道你对于准太的意义吗(*σ´∀`)σ西条高人明白了戒指内圈的文字含义，给准太也刻了一个，真是又甜又可爱！
在瑞典，粗话满口游泳逃票偷炮友钱玩弄舔狗，还是有女神爱，你呢？
1准备做坏事和做了坏事的感觉真的很糟糕
音乐巨他妈好听。青少年的爱情故事，放在成年人世界都不是什么过不去的坎儿，但好在真诚。
睡前看了更睡不着，在大街做好刺激呀！好想再看策划和作曲前辈之间的故事！看完更想出去旅游了
这部电影给了我很大的惊喜，所以要鼓励。我们拍电影的初心是什么，拍电影可不可以走点心，我们的要求真的高吗，这些问题是不是应该多想一想，至少你要对得起自己呀！
前半段是Jo忽明忽暗心理状态的描写，一开始Audrey的出现好像只带来了瞬间的闪光，再回到现实还是狗屎一样的生活。Jo纠结，敏感，躁动，坐立难安，她有严重的ADHD，我感觉我也有点像，最后她还是获得了好心态好状态和勇气，后来才开始了真正的生活。
第一次看这种类型的电影，第一视角太爽了，氛围感拉满！游戏中队友的吐槽虽然多是作为背景音出现，但确实很还原现实中对战的情形，我也会碰到这样碎碎念的队友。
这年头拍的大部分爱情故事要么算计要么傻白甜要么讲历史，失了爱情和爱者本身的情感色彩。反而让我在这么小众的类别里看到一点爱情的本质之一:浪漫，以及爱情中人对自我的爱的反思。
j骑车去找a的时候减速带不减速被顿的一下子狠狠地戳到我了哈哈哈哈
好几处看哭这泪点是什么水平......事情就这么发展到糟糕的地步，好在孩子们都很好，懂得去爱人也会原谅，看着小孩好好地成长也会哭出来，天呐噜我还是个23的年轻人嘛
Andrey就是Joanna的药啊
继续保持着又扯又古早又浮夸的风格。不过强烈的带着感情的舞蹈真的非常打动人！
冲着adhd去的 其实说病的本身并不多 而且剧本真的好多地方禁不起推敲又牵强 真的不行
2.5，从没见过文戏和武戏水平差距如此之大的电影。想了一下还是两颗星吧，中国不缺关于场面，动作，技术这些方面有好点子的人，缺的是能把故事讲好的电影人
6/10。西条高人果然是受中极品，那个小蛮腰谁不想掐住啊~~两场床戏是唯一值得反复观看的片段。西班牙风情只展露了冰山一角，两人感情也怪怪的，不甘心被比下去就不告诉对方出国，我不懂这种爱情欸。
想听片尾曲，快上线🥺如果能有更多续集就好了🤧
挺暖心的，多动症的设定也很新鲜，遇到能包容自己的人真好。
生活的疲惫变得柔软！
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