With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
感觉是导演的半自传，有点自恋但还算可爱，达美太美了~歌曲太赞了~
一个非常有共情能力的小青年，善良并且坚韧。
🥰达妹法式气质真心爱了！！喜欢这部小电影～
还可以，达妹是真的蛮有魅力的，但是这个男主很难让人相信是97年的😅
I’m sorry. Growing up is hard.
三星半吧。 美式小清新，美式治愈，满满的正能量。还挺好看的。
3.5 算是Shithouse的续集，在大学毕业后的过渡，但感觉没有上一部灵性，可能是因为着重在于剧本金句刻画~
看不懂 不是一个环境 看完才知道这是自导自编自演 本来这种片我都不会多看一眼的
三星给剧情，一星给男主的演技
派对，音乐，眼里全是火花。★★★☆/7.1
杰西·巴克利和罗里·金尼尔的表演称得上精彩。
那种无处不在的被凝视、被包围、被审判、毫无安全感的氛围在空旷的乡野与微弱的女性个体之间弥漫，一种超越感官恐怖的现实惊悚让人觉得后脊发凉。
没想到是小哥自导自演。丝滑体现在男主身上。好久不见里奇
虽然又是一部女性角色帮助男性角色成长的电影，但是毕竟是自导自演，男主角太可爱了。he‘s a 10 but…no but…he is a 10!
确实是，太过于温暖美好。完成度蛮好。真是羡慕导演如此年轻。
这是除莫妮卡贝鲁奇之外，第二个让我觉得勾人的少妇……这谁扛得住，小伙子还是太年轻
每个选择都会带我们走向不同的未来，当你不确定的时候，就跳首恰恰吧
男主too good to be real！为什么我们生活里没有这样的男的！！！换我我也会像Domino一样忍不住备胎他！！！！（bushi （请勇敢地做温柔的人！好人有好报！！！！
打五星的我真不理解，我甚至看到一半都好害怕，哪里治愈了😓我不理解
杰西·巴克利和罗里·金尼尔的表演称得上精彩。
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