Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”
“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.
In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.
拍的没好莱坞那么大场面、那么煽情、那么曲折、那么散发人性光辉，但是，不影响观感，短平快的灾难片自有它的妙处。
just getting started we are about to go up
剧情太一般，
人在大自然面前真的渺小，营救机器人真的挺不错的。希望我们在南海也有备用的。
典型灾难片，复联团队制作特效，媲美好莱坞大片，多次克服困难反转获得新生！
备胎慷慨就义以后，所有人包括编剧都把他忘记了
里面所有人婚恋观挺好的，除了结局，但还是会会心一笑
反转有点大的电影，一个小时半的时候结局和最终结局是完全不一样的。很俗套的剧情，但是演的很不错。剧中的合唱很好听，片尾曲也很好听。
不完全向好莱坞看起的叙事，不美化人们的英雄行为，片中的所有人都是在认真生活，认真工作，对朋友负责，为事业付出，虽然没剧烈冲突电影就没那么好看，但我觉得《北海》仍然是一部让人记得住，能震撼人心的好电影。
中规中矩的灾难片，影片的结尾，朋友成全他人的做法太老套，缺乏新意。题材比较少见，而且不可忽视的就是环境问题。主题还是点明了~~
电影除了对人性伟大的刻画，更多的是要唤起对生态环境的尊重，人类从改造自然以来，就所获得的一切皆心安理得，一味的索取最终将获得自然的愤怒，北海油田的事故也许就在不远的未来发生。
抓马，但是超好看，非常希望迪士尼可以做衍生剧的IP，交给《Pose》的团队就够了
很套路 但是很暖也很感动 人生中那些不敢追求的东西 有懂你 支持你的人在身边 也许就能勇往直前了吧
冲灾难片来的，结果也没感觉有什么灾难，随便就把人救出来了。
有些超出预期，很难得的有种真实感，不再是俊男靓女们说着第一世界的烦恼。结局是有些俗套了。
记得N多年前，在天津渤海湾，第一次看到海洋石油工人做直升飞机上下班，觉得牛逼的不得了🤣🤪😂
算是小成本的灾难片，视点放在海上油井，剧情上面马马虎虎，虽然关于海底塌陷的解释还是让人比较迷茫的。
蹄小花金牌電影推薦 歐洲的災難片 一般的電影 只是我喜歡北歐的調調
“原以为我们是个石油国家，但其实我们是个海洋国家。”
完全没必要牺牲，犹豫那一阵早他妈钻回来了。中规中矩吧
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