Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
新一还有柯南的画风有点不适应，服部平次真的好帅啊
推理挺拉跨的，不过新兰感情线终于起飞了，可喜可贺
这个恋爱谈得倒是很有小学生的风格嘛。还有世良好烦啊一直打探来打探去。还有就是小哀非得不准新一和小兰说明真相又非得控制药量什么的，为了作者的恶趣味连逻辑都不要了。还有乱七八糟的角色们能别老盯着红叶的胸看了吗？还有服部你对着新一不是挺坦率直球的嘛，有什么必要对和叶扭扭捏捏呢？挑什么表白的地方，比起这个，还是赶紧表态才是正道吧，地方什么的有什么重要。还有杀人动机也太蠢了吧！
6/10。柯南系列安安静静讲一个案件我都会给及格分。天狗杀人传说百用不腻啊，新兰一吻官宣应该是豆瓣9分的原因吧。
十年来影视作品中动作戏第一，没有之一。
总觉得服部对新一才是真爱，不然不会只在有新一的时候才想着怎么向和叶告白，还要比过新一的那种……
TV版动画6-10集的合辑篇，主要是讲炭治郎偶遇终极大反派，而后遇到鬼医生和她的迷弟，被请回家，双方针对如何变回人进行了探讨，并达成合作，再遇到两个被大反派安排来的鬼袭击，最后在几人通力合作下，解决了两个鬼，基本上没有在TV版上加什么内容，看过原本的话，可以不再看这个特别版。
一般动画版是不标的，但，这是等了20多年的新兰里程碑呀。
剧情很一般了，但是看柯南已经成为了习惯啊～
在我印象里新兰真的二十年老夫老妻了好吧！！！
剧情很一般了，但是看柯南已经成为了习惯啊～
剧情太弱了，完全经不起推敲，一星给有点战损的新一吧
屁惊喜，至少让大家看出来人家的名字啊？这跟没写有啥区别。。。
垃圾故事，随便拎一个金田一出来都比他好100倍
补标，新兰正式确定关系了，去年和霞崽在宿舍里看的流眼泪，案子真不太可。
要是没有那件事 估计都不会放这个出来平息新兰的怒火（虽然我是柯哀 但我磕新兰）但是制作组的确恶心
记得当年可火了，总算是谈恋爱了。真的等很久哎！
补标。就是把之前“修学旅行”篇三集连在一起出了个特别篇，最大的意义就是20多了，终于让工藤跟小兰确定关系了(“一吻定情”哈哈233)。案件部分依然一般般不过和这帮人修学旅行的有趣部分串联得还比较自然有趣。可即便如此，最近几年TV版特别篇或是主线篇都感觉比近年的剧场版能看一些。PS：估计不少人等了太久太久这两人确定关系了吧，从叫这俩都要叫“哥哥姐姐”的年龄都快到了可以叫毛利小五郎为“毛利老弟”的年纪了233(好吧这只是吐槽《名柯》时间线拉得太长了)。
鬼灭之刃 浅草篇
啊啊啊啊啊好绝，画面绝，案件不错，感情戏也夸爆。
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