Set in a small Quebec town in the late-1920′s, this emotional drama follows the life and exploits of Celeste Beaumont, a talented young pianist who gains local celebrity at the town movie theater for her gifts as a silent film pianist. Awkward Pierre Blaudell is her biggest fan and eventually marries her. Shortly after this she bears his son, Pierre, who joins the army. She insists on joining him at the base and his meddlesome, snooty parents insist she give them her son. Pierre is killed in the war, and Celeste flees to New York where she finds steady employment as a jazz pianist. She finds a life-long companion with a black musician and chronicles her experiences in a diary that she passes on to her son after he grows up. Her son becomes a painter and once his own son, Antoine, is grown, reads him the story of Celeste, the youth’s grandmother. Intrigued, Antoine heads to the Big Apple in hopes of finding her.
This movie is an emotional drama about how Antoine, played beautifully by François Méthé, discovers the details of his heritage. This film won many awards in Canada and at Cannes in 1988. François Méthé, who was about 11-years-old, never acted again after this movie.
From IMDb:
A quiet painter, separated from his wife for a year, receives a suitcase in the mail from his mother, whom he hasn’t seen since infancy. He believes she abandoned him to his wealthy, paternal grandparents. The suitcase contains mementos and a diary, a long letter to him, written over the years, with details of her youth, her first job as a pianist at a cinema, the coming of talkies, her marriage, and how he came to live with his grandparents. As he reads through the materials and her story comes to life, his son Antoine, who’s about 10 or 12, tries to break through his father’s silence and sorrow by taking matters into his own hands.
派克特的flow确实无敌，真心话这首歌给电影提气了
灾难片却能用喜剧去消解灾难，简单又完整，实在也不贪心，这不比同期的峰暴香？
难怪看预告片很有兴趣的电影豆瓣评分却这么低…灾难片中的韩国人真是被强行降智：爸爸掉进泥糊里绳子都已经甩给他了正常做法不应该是一起拉吗？一起跳下去是因为？爸爸虽然在外面盖盖子但是不能在外面扒着桶一起上么？或者一开始搜集了那么多塑料瓶不能用起来么？为什么就开始自由泳了？还有槽点就不吐了。是搞笑片吧。最喜欢死去的小男孩救最小的小男孩那段。
一般，棒子灾难片的惯常手法，千篇一律，可以说毫无惊喜，喜剧成分也加的不合时宜，看完就忘那种。
感觉大家的演技有种参与综艺的感觉，都很浮于表面。唯独老奶奶那一段有点让人难受。虽然是个灾难片但是总感觉充斥着喜剧的氛围。感觉这救援队多少是有点不太行，也可能是因为下雨吧？但是这个暴雨是不是有点太暴雨了？不知道的还以为是洪水要来了。以为车胜元要没了的时候是我肤浅了，男一号怎么可能没了呢。总之我有点把这个电影当成喜剧片在看。
后面过分了。扣分！还有，另一个男孩是怎样死的？？
灾难片+喜剧效果+1.5倍速，让韩式煽情也尬的很
好打发时间的一部烂片。搜救队全程看在地底下的几个人自救表演。
创意点不错，但是针对创意点展开的社会性和合理性做的不够。最多吐槽下首尔的房价罢了。
CAO 你们是个灾难片好吗2021-9-21 02:10:09
灾难喜剧，挺好玩，拍的不错，演员也都在线。大黄桶真的是太逗了。
即使韩国灾难片千篇一律，但还是会继续看下去
荒诞的剧情和浮于表面的喜剧处理，生出了个四不像的灾难电影。ps.看完后我感觉像刚遭遇了一场灾难。
动作戏很好看，谢苗还是演狠角色看着顺眼，跟这个比叶问觉醒就像练体操
既然是个胡扯的喜剧片，怎么不把人都救出来呢？
开始以为是灾难喜剧片，看完意识到是鬼扯尴尬片…
看到最后 我和昝爸都笑出声了
当灾难片披上喜剧片的外衣，这种谜之操作也随之变为了一种灾难
任何鬼片都不及剎那間的天災人禍來的恐怖
對韓國這種閉著眼就能拍十套的喜劇災難片越發無感，災難片承載著諷刺社會的意味，而本片則在喜劇和災難的敘事點中徹底失去平衡，故事如冰箱逃亡的超乎尋常轉折，我開始分不清觀眾被劇情弄笑，抑或在嘲笑電影的質量。
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