Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
想表达对战争的绝望，但女主逻辑真是让人着急！冰封坟场还是挺震撼人心的！
1476【谷阿莫】戰爭爆發，人民被丟進冰湖裡凍成冰、軍方不得已拿出了生化武器…2022《黑蟹行動：無盡寒冬》#春日荐片季##电影二创榜#
挺规矩的结构 角色有些单薄 不过乐趣蛮多的
纯纯炮灰，剧情低幼，制作垃圾这些都没事，反正是给孩子看的。但头铁在春节上映不是傻逼是什么。
男主设计的太玄乎了
一直没有开分，犹豫了很久，还是决定去看啦，当全城只剩下5家电影院有排片。感觉比较想象好很多呢，画面制作挺好的，有一些情节设计还小有意思。没有很多大道理，有温情。不是那么低幼，成人朋友也可以看的。
无论剧情还是制作放在2022年都显得过于粗陋，片名就已经决定了本片的定位和品位
影片的主题，其实也就是成长与救赎，只是，救赎对于杨总镖头而言，实在是有点轻描淡写；而成长这条主线，就算影片结束，也没看到小虎墩有什么成长……
还是别这么宏大背景的说故事了，从架构到细节，都不足以支撑，完全没有必要虚构这么一个莫名奇妙的没有故事的故事。末世了，还是这个水平的战争状态？装备差到一小冰刀？雪地迷彩，敌人都有，执行这么重大任务的小分队一个都没有？？？战术基本上是参考警匪枪战片的吧？很多桥段都极其刻意，还毫不连贯，全片洋溢着浓浓的自我感觉良好？原本对北欧电影还抱期待的，这部低分片，确实是表现低分，不是偏见。完全不推荐。
【2022-014】女主是普罗米修斯的女主，反华的，这电影有几个对战场景非常好，剩下被压制的感觉特别重，靠滑冰过，也是牛逼了，☣️生化武器这个坑，为了救女儿的这个动力，呵呵了，个人评分5.5分。没意思
不好意思说看过，
虎墩是我最讨厌的主角了，各种作行为，害惨大家
题材创意独特，背景场面的特效也很大片级，就是剧情打磨得不够，动作戏差了一点意思，反正我觉得比《沙丘》好一星
第一次发现“神奇拖后腿”是个好词，回想就觉得好笑。很值得亲子观看！
冰天雪地好漂亮 情节一般 生化武器令人胆寒
冰上作战的场景比较少见，最后二人对战十人的攻防片段有看头，距离五十米，即使有狙击手也来不及打，紧张刺激，其它部分没啥好说。北欧的女性很有个性，看起来特别能战斗。
女主的角色。确实让人唏嘘。但总还是有些地方没讲清楚，譬如为什么上尉一开始带女主去那里？他们路上遇到的老夫妻究竟是什么人？
PS:其实更喜欢里面的2D画风……
“the only way to get freedom，in this fucking war，is refuse to follow their order,refuse to do what they say.”
冰上末日 题材挺新颖的 某些桥段拍的也不错 故事内容略单薄 为什么现在评分的人都那么刻薄啊 :-(
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