Lois Ames is devoted to her job as the editor of a magazine, and her wealthy husband Fred is equally dedicated to polo and parties. Lois's long hours drive her secretary to quit, and she replaces her with Tom Sheridan, who happens to be in the office demonstrating a rowing machine. Tom likes the work and continues to advance until he is indispensable to Lois. Ruth Holman, Tom's fiancée, is jealous of Tom's relationship with Lois and with some reason, as he is falling in love with her. In the meantime, Fred is having an affair with Ann Le Maire, a woman whose interests are closer to his own. Because he feels his love for Lois is hopeless, Tom quits his job and plans his marriage to Ruth. Lois tries to patch things up with Fred, but he suggests that they divorce instead. On Tom's last night, Lois keeps him working late. Ruth is furious and storms up to the office where Lois and Tom are dining. She threatens to tell Lois's husband about their relationship, which leaves the way clear for Lois to announce her pending divorce. Ruth breaks off her engagement to Tom, and he immediately asks Lois to marry him.
本來想噴一大串的，但想想算了，或許有這部片的市場在，只是剛好不合我胃口，但對我來說這跟屎一樣難以下嚥。
Queen B 的电影真的是没有一部好看的😅
一位女性登山者在风暴中挽救了另外一位生命，情节简单，故事单调，不咋地。
整体平庸，无功无过，真实故事以及女主+1星。
比起老套的惊悚片套路，结尾Queen B抱着孩子大步流星走出家门离开渣男的镜头是加分的
這個世界上除了自己
不同于一般的冒险题材，这是女主和男主的自我救赎之旅，暴风雪只是引子，不过看点不多，剧情比较简单。
真人改编 母亲的施救与自我治愈释怀 娜奥米也。。这么老了么
3.5 喜劇片最重要是 演員要有喜感 就成功了一半
3星吧，多一星给女主和风景，故事真没有什么震撼感。
逻辑太弱了，为了悬念而悬念，海边监控居然还能认错人么？
致命Bug：两个人体型明明差那么多，海边监控那么清楚居然没有人能分辨出那不是坏警察而是渣男丈夫。塑造真实且可恶的男性形象倒上了点心。其他也没什么亮点，电视剧级别摄影。
反转剧情不错，克罗地亚风景不错，人间自有真情在，不过能不能遇到看自己运气。值得4星，女主全程无脑相信闺蜜、出轨丈夫还相信这点我不苟同扣一星。离婚以后还带着孩子互相见面干啥呢？
整体平庸，无功无过，真实故事以及女主+1星。
有钱人落难大家最喜欢root for，有意思
人们总是愿意看富豪的喜剧，不愿看穷人的生活，毕竟后者贴身太近。
中规中矩的虐杀片，叙事风格还挺有意思的，插叙玩的很6
嗯还行吧，有钱老爸让三个子女吃吃苦头，到头来还要被子女说不关心，套路挺老，画面还可以，略温馨，人总是喜欢看从从谷底慢慢爬起的故事，最后一幕不知道为啥挺触动的，看着几个孩子都自立了，不知道父亲什么感受，可能对我来说的确就是这样，不是要给孩子钱让他们过好的日子，就是希望他们能够自己堂堂正正地立身处世，可以自己养活自己保护自己，可以自信地生活，钱不钱的，大概不算太重要
大奥米最近怎么都是一个人演电影，是演技太好了吗，这种类型电影都找她，我已经看了她这样的电影两部了，也没厌。
孤独的老母亲在暴风雪的当天登山救了一个神经病，然后回家泡了个澡。观众能坚持到泡澡已经不容易了，在即将放弃观看的时候揭开悬念升华主题，只能说编剧对于真实事件的还原超越了影片本身的观赏性设计。画面很美丽，摄影很讲究，事件很真实，剧本很吊诡。
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