The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
虚构与纪实交织，抖包袱的密集程度基本属于出口成章
然后就是里面提到的很多事我真的没啥印象，就仿佛不是生活在同个世界...
没忍住还是看了，现实与虚构分不清彼此果然是新常态……
DS发展成爱情 还是挺难得的 男女主都很用心 拍成这样实属难得...
"President Joe Biden announced a full US withdrawal from Afghanistan by 11 Sep, freeing future history students from the pain of memorizing too many different dates."
B-/60｜网飞自制广告+疫苗宣传片。拜拜了您内。
这年头只要看一部剧，能吃的东西就少一种… “没有人从2020年中涨一点教训”
和前一部相比，这部完全没有什么存在的必要。
暗讽2021荒诞的黑色political和主义幽默对着现实犹如隔靴搔痒。没关系，等这两年过了以后就知道这两年有多好了。Death to 2021, death to everything Yeah. :)
你以为你在看Netflix，其实你在看暴走大事件
7 丨 很标准的爱情轻喜剧，还带点字母圈科普，价值观很正：接受每个人内心的不同吧，无论是看别人，还是看自己，都不要戴有色眼镜。（男主真的很像片子里那只金毛！）
the british lady and the american lady are still the best at their roles. do we even want to remember what has happened this year? cause its a total shit show with no promising ending
今年外国糟心事也不少啊
但从另一个角度看，当今世界意识形态真的是超级割裂...
今年的没啥意思 本质上是因为2021没有2020疯
每一件事情都让人绝望，阴阳怪气火力全开也只是在绝望中的唯一应对方式了，唉，2020糟透了，2021也很烂，2022也不会好……
【C-】虽然依旧很无聊，但还是希望网飞以后每年都能这么总结调侃一下。
Isn’t human race fucked up as a whole and too late to be saved when a streaming platform feels the need to document and summarize all the batshit crazy shits that happened in the past year because they happen more often than should and no one cares any more
已经成为另一种类型的常驻贺岁片了。还是一如既往的套路：伪纪录片的模式，浅显直白的讽刺，荒诞卖丑的受访者，一年各类泛美流行事件的回顾。但比起前作，2021后疫情时代下的美国似乎已经更加疯狂，此情此景和《不要抬头》恰巧形成了互文：娱乐至死的个体、撕裂的社会。
都得死!
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