Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
片尾曲好听，doi戳我xp，橙花：新娘的喜悦
吃鸡里人物的动作确实做得很好，但完全不能代入角色情绪。夜店里女主对着耳朵撩骚那一下爆了一身鸡皮疙瘩
對方總能承接住自己的情緒
救命，奥黛丽后劲好足。属于出场没啥没啥感觉，看完后脑子里却一直跳出她那张温柔无波澜的脸，美得我心慌、、
蠢太小时候好可爱～对爱上你让我的世界有了颜色这种设定毫无抵抗力啊，我又只能呜呜呜了
抱男的音乐真是没有让人失望过，片尾曲好好听
废柴联盟型团队，永远有一个逗逼胖子一个高冷酷男和一个小美女，我很多年不打游戏，但还是想起了当初上大学时和室友们组队玩CS，并且读了一本叫做《赏金猎手》的小说，那里面，也是这样一组人设。
救命，奥黛丽后劲好足。属于出场没啥没啥感觉，看完后脑子里却一直跳出她那张温柔无波澜的脸，美得我心慌、、
“为了今后永远一起生活下去，我们不能永远待在一起。但是我绝对会回到你身边，而你也要回来。因为我也变得脆弱了。但那这也肯定是，为了跟这份温暖一起活下去而生的脆弱。”
导演既不懂精神病，又不懂爱情。
牵强的剧情，敷衍的制作…do i也不好好do，最后还要强行深刻一下
中间几个片段燃得人都热起来了。这不比一众院线电影强，建议院线片如果自认觉得不如它，可以别拍或者不要上映
知道这部很火，去日本的时候都看到大幅海报甚至还有贴满广告的车子。。。但真的get不到，这个剧场版尝试深入攻的内心，方向我感受到了，但剧情都是些啥啊。。。
其实我挺羡慕火车的;为什么?;他们连擦肩而过都那么久。
卯坂和在须能不能马上拍个100集？太好奇了…
期待过高，有点够呛。但是值得鼓励，很不错了
就有点走剧情，讲述爱情理论。比较教条主义了，互动得有点少，跳舞速成真的好假哦。不过爷爷真的不错，年轻时候是个放浪不羁的美人啊。好吧，对蠢太的天使翅膀依旧觉得好萌啊
喜欢切肤之痛的当然也会喜欢这部电影。这些月亮背面的生活，自卑软弱隐瞒欺骗，有丑陋的心思和卑劣的行径，觉得自己是个烂人糟透了，不喜欢自己但喜欢你，所以鼓起勇气向你坦诚，学着弥补，重新开始，然后还收到你的评价“你巨他妈好相处”，哈哈哈，结局有点欢乐。
C+比我预期的好，值得鼓励，观赏性不错的，走的是励志热血的路数，比类似套路的《飞驰人生》和《缝纫机乐队》要好，放在国产网大层面，确实还不错，当然也有一些问题，不过还是鼓励的
影片选角方面也很用心，乔安娜骨骼大，个子高，患有注意缺陷多动障碍却没钱拿药，她的高个子反而更能看出她的拘谨不安。而乔安娜体型小只，言行举止却落落大方。
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