男医生体检时和我主动 高清

评分:
9.0 推荐

分类: 剧情片 2012

导演: 尹大龙

剧情介绍

  Synopsis
  "Falsely accused as the murderer of my own husband... Oh, the cruel machinations of fate!" A female teacher (Lee Yong-ae) gives shelter to an escaped convict, but her husband, misconstruing her intentions, reacts violently and accidentally stabs himself to death in the process. The teacher is charged with her husband's murder, but fortunately the prosecutor on the case is a former student of hers, of whom she had taken painstaking care when she was working at an elementary school. Remembering her kindness to him, the prosecutor uncovers her innocence in court, and she is acquitted of the crime.
  Notes
  "A silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha)
  A Public Prosecutor and a Teacher is familiar to us for the performance of Shin Chool, Korea's last silent movie narrator (known as "byeonsa"in Korean). Numerous critics have recommended the film, praising it as "a silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha), "the work of Korea's last silent movie narrator" (Kim Hong-joon), a movie that "reflects the public's consciousness and has great historical value" (Lee Seung-hun), and "the archetypal new-school film" (Chung Sung-il). As evidenced by such commentary, A Public Prosecutor and a Teacherenjoys greater recognition for its historical value as the only surviving silent movie in Korea than for its artistic or technical aspects. What is ironic is the fact that this recognition derivesfrom a production and screening method that fell behind the times, as sound films (or "talkies") had already become the norm when the movie was first made. Its inclusion in the list is therefore based on its historical, social context rather than on the film itself.
  Afterword:
  - Narrated by Shin Chool, who is known as Korea's last silent film narrator, A Public Prosecutor and a Teacherhas been screened at several film festivals since the latter half of the 1990s.

评论:

  • 满敏叡 6小时前 :

    【B+】

  • 梦俊 4小时前 :

    Human experience, is not just imagining, it’s living.

  • 浩桀 0小时前 :

    但是只有你站在上面 看到它的美

  • 羽惜玉 7小时前 :

    一个人的孤岛,一个人被困在机场,又一个人被留在世界末日……汤姆大叔为什么总是这么孤独?这次他有了真正的小伙伴

  • 顿静淑 5小时前 :

    我知道你昨天才出生,但你是时候成熟起来了!

  • 楠梅 1小时前 :

    一个简单的故事却拍得挺戳人的。里面有一个桥段真的有扎到我,就是本来小狗有名字叫Goodyear,但是芬奇说因为只有他们俩在,所以有没有名字没关系,真的是一种极致的孤独了。联想起来牛老师的二姑妈,二姑夫去世后她就养了猫,猫也没有名字,一下就破防了。

  • 欧阳意智 5小时前 :

    给我干哭了,设定逻辑之类的当然都可以忽略,主要是那种感情,还有,汤姆汉克斯不愧是演技之神。

  • 永芳茵 7小时前 :

    故事很小,很舒缓,也很温馨。《芬奇》注入了《瓦力》的温情,在机器人的身上看到了什么是生活以及在末日生活中那罕见的人性。在这个故事中表达了很多的哲学思想,反思人性与善良。

  • 骏裕 2小时前 :

    杜儿(🤖)被陷阱炸毁得好突然😞

  • 钞梅雪 9小时前 :

    杜儿(🤖)被陷阱炸毁得好突然😞

  • 祥凌 4小时前 :

    太浪漫了,故事完整,how to build relationship with robot and dog? Be patient and trust. The same way with human being

  • 路清韵 0小时前 :

    人性弱点那么多

  • 歆彩 2小时前 :

    杜儿(🤖)被陷阱炸毁得好突然😞

  • 羊舌明凝 1小时前 :

    很好看,但有时候都不忍心看下去了。观看过程中的心情是像过山车一般,跌宕起伏,刚刚才感到风暴的恐怖,立马就又被Jeff这个贱人逗笑,随即又为了Finch的身体而担心。如果说美中不足,则是收尾过于平淡,但我又想不出来有任何更好的收尾方法,除非出个续集。总而言之,是个非常好看的公路片,没什么价值观输出,没有过分的抒情,同时也让观众去仔细感受自己的人生。

  • 独雅香 1小时前 :

    把每天都当作末日来相爱,用本能去爱,用爱唤醒本能

  • 银吉星 6小时前 :

    What would Finch do? He'd feed the dog. I'm gonna feed the dog.

  • 林枫 7小时前 :

    芬奇(👨🏻)善良

  • 漆雕光亮 2小时前 :

    好故事永远是第一要议,永远能拉高你对电影的印象分。情感朴素思想先进创意加分。一步一步走到最后,想不被打动都难。观众最终都被创作者严丝合缝的捕获。

  • 雅婷 3小时前 :

    一人,一狗,两个AI(强AI和弱AI),一辆房车。很喜欢末世孤独浪游设定,就像同样喜欢末世孤独宅居设定(没错,指的正是《我是传奇》)。倒并不在意所谓科学是否自洽而正确。遗憾在于,作为一部影片,需要一条主线。人得有一个前进的动机,一个目的地,还要加入一点惊险,以及一个终结。所以中段之后,终究不能像《横滨购物纪行》、《少女终末旅行》那样漫无止境,那样自由自在。也许在《白象似的群山》般休憩的画面里结束这个故事,是一个更仁慈的选择。Jeff是今年最喜欢的机器人: )

  • 盍维运 0小时前 :

    有狗狗、机器人、世界末日,所有的因素都是喜欢的,但影片整体其实也就普通吧,遇到这个类型就一概吹捧,可怕的风气。。。

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