You are never fully liberated from Auschwitz, 11 July 2016 Author: Red-125 from Upstate New York The French movie "À la vie" was shown in the U.S. with the translated title "To Life (2014)." It was written and directed by Jean-Jacques Zilbermann. The film is a Post-Holocaust saga, although it opens with scenes in Auschwitz that are truly horrific. Hélène (Julie Depardieu) and Lily (Johanna ter Steege) were friends in Auschwitz, and they managed to survive the death march from Auschwitz to Louslau together. A third friend, Rose (Suzanne Clément) was unable to walk, so they were forced to leave her behind. As it turned out, Rose survived until the liberation of Auschwitz. The three did not see each other again until 1962, when they come together for a reunion at a beachside resort in Northern France. We learn early in the movie that Lily divorced her husband after the war, and is living as a "free soul," with no permanent partner. Hélène and Rose both married concentration camp survivors. The plot of the film--based on the lives of three actual friends--revolves around their interactions during the reunion. No matter how much ice cream they eat, and how they display their new bathing suits, thoughts keep circling back to Auschwitz. They quarrel about tiny details which they remember differently. They revive horrible memories. It's clear that the reunion will change their lives, but whether the change will be for the better or for the worse is an open question. For reasons I don't understand, "To Life" caries a terrible IMDb rating of 6.1. Fortunately, we saw it as part of the excellent Rochester Jewish Film Festival. If we hadn't had "All-Event" tickets, we probably would have stayed home. This is a movie to be seen, not missed. Ignore the rating and seek it out. It's available on DVD, and it will work well on the small screen. See it!
男主性格真的无话可说 但是又能理解/一开始就拍成剧不好吗……
又是个全明星垃圾，钱宁你就跟狗子混混不挺好
看到结局之前想说比第二部好看点 结果wtf？？？为啥要搞的这么狗血 女主从第二部一下子成熟好多啊明明还是freshman时间线也没那么长 kim的演员从Caroline换成Lexy我真的🤣🤣不过男女主终于有点soulmate那味儿了 之前除了sex比较和谐其他都在吵架
不得不说男主的颜真的是绝了
这部绝对是画面是随便一截就能拿来当壁纸的程度
男主性格真的无话可说 但是又能理解/一开始就拍成剧不好吗……
😓呃...只能说上一代的狗血，I knew it...太套路了，但希望第四部能细讲。
我是完全不懂为什么它在国外那么红。。和第一二季完全是一个套路啊
非常棒。人物关系复杂却明确。最后一幕惊艳。
不能說完全不好笑，只是很考驗觀眾耐性，需要很耐心地等才能等到一個笑點。對於Sandra Bullock，20年前出演會更合適，她在開場不久念其角色小說收到的評價，loveless、passionless、way past her prime，用來形容她電影中的表現上也異常貼切，明明再過2年又2個月又4天就60歲了，為什麼還要演她二三十年前的傻大姐角色。對於Channing Tatum，10年前出演會更合適，至少傻得更自然，至少身材狀態更好，而不會現在的疑似使用裸替，不然為什麼沒有一個完整的背部全裸鏡頭呢？在電影後半部分，當兩個人都不刻意裝傻時，整個畫面都舒服多了。
颜值真的怪吸引人的 一边吐槽一边也就看完了
虽然真的好狗血但是还是想说女主作为男主的救赎真的好好磕
男人对性的渴望和表达不是罪恶，但未经他人意愿将自己的性渴望加诸在他人身上就是一种恶。自己玩自己没有人反对哈
真不想诟病剧情、台词了，蜻蜓点水的船戏和背书念词的吵架戏/自以为是的drama交替进行。可能是阅小黄片无数对船戏质量要求高吧，这部次数比前两部多了但激情少了，只是在完成规定动作，氛围全靠音乐撑，就健身房那part稍微性感点…一星依然给Hero的颜，还是欲的。
中文标题什么鬼？电影开场和结尾都是以极具戏剧张力的方式呈现，对照剧情，极大地提现了现实的无可奈何。影片无论是镜头运用还是表演都略显生涩，大概三星质量，冲着印尼小语种，额外多给一星。
印尼电影看的比较少，仅看过的几部主题也都是涉及地方特色宗教恐怖片，这部很现实主义，但隐隐感觉是一种全球化式的现实主义，不知道是好事还是坏事。
AKA “饶雪漫与那些年的登封书模同行”，“Sandra Bullock和她的神”（不是）。尽管充斥着各种波澜不惊的笑点和依然不知疲倦地对Channing火辣肉体梗、各路喜剧人出镜的滥用；但，能看到Sandra回归那种由她一手单扛、没有严肃包袱和沉重使命的喜剧是种熟悉的幸福——在“算法电影”、“IP”抬头的今天，它有些稀缺、还很难被推进（我还在排着队等Diva Julia Roberts和Queen Reese Witherspoon回归“交作业”！）。并且如今被愈发缩小的活动范围，这般天马行空地上蹿下跳和因此炮制的热闹毫不生厌，也借由实现另重想象；美中不足或者是它没能对“Loretta”更多的背景故事与情感流露做出挖掘，而执着于所谓险象环生，否则它能更讨喜。
两星半，意外地没那么难看。主要是虽然俗，但还是蛮好笑的，尤其是桑婆傻大姐加无脑美色钱老板的设定，没那么搭，但是却很有戏。我对于烂片的要求就是，可以蠢，但是如果好笑的话，可以原谅它的蠢。但如果只是烂，既不好笑又无聊的话，真的是没法原谅。（当然也可能是最近太丧了笑点变低了。
小伏地魔越发丑了，这个系列怎么还能一直出下去，为勇气加一🌟，讲真，这剧本比不了晋江。
不好看，越来越失望。想要跟风fifty shades of grey，风格一点都不像！
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