Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
把所有魔神柱的剧情改成一次性全上，感觉挺不错
Boss战真的很拉，要么助战的英灵们闪现一击，要么站桩单人演讲输出价值观。Boss血条也很迷，像突然熄火了（。）一个半小时的剧场版，这样的信息量和场面感并不让人满意。我还老是理解不能剧里人物的心态与逻辑，果然对满是“我我我”的日轻台词不来电。不过蛮喜欢“为了邂逅无尽未来，为了人类爱的延续”这种人理的，虽土但正点。没玩过游戏，不知道兽和十戒是什么，脑补的狗血剧情是：兽与所罗门王伴生，兽依慕所罗门王，数千年来贯彻他实现“人类绝对幸福”的理想，但因为所罗门的死亡，它开始痛恨人类会死这一事实，所以励志建立一个不死之国。十戒是信物，相传集齐后可以获得王的力量打败兽/复活王，所以主角和兽在各个异世界里搜罗不同戒指——虽程式化但工整的我流剧情。
大家还在想着终章请声优要花多少钱机智你月直接全员哑巴面具
众英灵齐聚那里、玛修拼到肉身蒸发接下盖提亚的第三宝具那里、还有最最重要的，医生恢复所罗门真身使用第一宝具那里！激昂振奋的音乐呢？英灵们宝具齐出时的解放真名呢？我记得我投资（氪）了好多钱啊！为什么给人一种好穷请不起声优的感觉……
算是完整还原了终章剧情，可惜贫穷了点，声优请不起太多，导致终章最燃的部分没有展现
为什么被改编成了动画就迷之尴尬，不懂，过度煽情了，这个只有罗马尼消失的世界。
夏日复古电子乐，美国青春纯爱片，好看，景色也美！
太完美的夏天，有朋友，有伴侣，有探索，有打破。
好穷。。。。音乐不行，英灵都哑巴了，比博人传还不可燃
夏日，海滩，落日，烟花，单车，咖啡，夜泳，露天电影，late night drive, 优等生半夜溜出去和帅哥玩，反抗渣男父亲……虽然很网飞陈词滥调，但是还是为这些我缺失的东西打了五星
又是量身为我挑选的电影 本来以为是电视剧/ 和父母和解 和自己的执念和解/ 能move on做自己真是太开心啦
爱和希望的故事”
没有小太刀所以整体变得很不错，但这部如果做成动漫番和续集应该更好，电影有点勉强了。
各方面都还不错，就是没什么值得夸赞的地方，出场人物也多，但都缺乏精彩表现。
什么玩意啊，优势全靠同行衬托，真就你月唯一指定动画化机构幽浮桌？别说不完全燃烧了连个火星都没有，演出毫无感染力，分镜毫无叙述性，音监匪夷所思，这台词念得也能过？这配乐真的有写配乐？看得我狂翻白眼。
还行吧。
制作组根本不知道粉丝想看什么。粉丝想看什么？想看的是一个个喜爱的英灵登场咏唱开宝具轰，想看的是玛修离别时的震撼，想看的是医生的绝境逆转。他做的是什么？登场的英灵没几个说话没一个宝具咏唱（好吧有一个贞德），玛修走的时候氛围渲染不到位，而且芙芙救的画面一个不给不突兀吗？医生盖提亚那段大段台词听的人都麻了，不细看的人不知道医生做了啥人就没了。某些方面甚至不如六章下部剧场版，我的评价是不如泛式的手书
普普通通，该燃的没燃到位，该有BGM的地方鸦雀无声。FGO第一章波澜壮阔的旅程终点，不值得如此草草收场。
挺不错的下饭剧 前面真的每集都有笑点 中间成长 很喜欢
某一瞬间会觉得真的很合适暑假去海岛度假的时候看，但是不得不说全片看下来还是觉得很无聊。
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