Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
片头烂到片尾
说实在，影片拍得还算可以，剧情也算合理。估计成本不高，没有大牌明星，要鼓励这种电影。
还不错，道具精致，剧本扎实，算是高配网大了。
不愧是斩获了全球超高票房和口碑的剧场版，小英雄和骨头社口碑盈利双丰收哈哈哈～
机关是谁破坏？
女主演得不错！剧情抓人，逻辑严密，细节到位。
#不散#最坏不过人心呀！音效很好，女主台词还不如老太太，有点生硬…不过国产恐怖片能不能别老是拿病毒说事，麻了…
还可以。制作成本很低，基本都是影棚搭景，惊悚氛围到位，王真儿很适合演惊悚片，穿旗袍的女法医+女猎枪手这形象超A。
氛围挺好，故事总算讲清楚了，不过杜家豪……嗯，他就是个打酱油的。
电影院看的，效果炸裂。街道追逐战的部分感觉做得最好，分镜超强。Boss战也不错但没有超过英雄崛起的水平（第二部的Boss战实属牛B）。没想到还有公路片的部分，有些意外但也好看。剧本水平四星，主要是人物扁平（剧场版，可以理解）。A班同学大部分在打酱油，比前两部电影的互动少很多，就有些突兀感，这个酱油还不如不打。
制作可，剧作真不可，跟水形物语海报色调简直一模一样啊
我来找弟弟，莫急莫急，我来找弟弟，莫急莫急，我来找弟弟……莫急莫急……墨迹你妹啊，你妹啊……
全程没觉得恐怖，也没觉得感人，就随便看看。虽然不能说能猜到全部剧情细节，但大体上就是那么个套路，无非就是坏人做坏事，拿鬼怪做文章，然后被主角揭露。
挺好看的，剧情也好，拍的也好，已经算是近期国内恐怖片很好的电影了
惊悚片系列电影，整部电影的氛围烘托的蛮不错的，阴森潮湿的村落，人们很闭塞，被村长和一个所谓的九叔公忽悠，将大人的死亡，和孩子的失踪归于一个水怪传说，其实人吓人才是真可怕，很多事情是人为的。最终真相大白，村落恢复平静，对于国产电影来说，总体还是不错的。
水怪开头的战斗力和结尾完全不在一个水准，结局强行煽情。
這系列真差，祇有打架，沒劇情，主角打不死，最後一口氣爆發，反派弱。純粹給學校裡的男生看的
女主像张靓颖不戴眼镜一样面瘫 剧情也牵强突兀
不是流量明星，也没有多绚丽的背景，也可以让你一步步跟着剧情走。
国产恐怖片真是越来越棒了，比起之前故弄玄虚的心理片，还是这种民俗加上人心险恶的隐喻题材更吸引人
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