With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
好莱坞拍运动励志片有一套！虽然是老套剧情，但是节奏与运动感都拍出来了！
笑死我了，从电影到现实各种梗，你永远可以相信菲利普·拉肖的喜剧片。
女主好能打 太喜欢她的身材跟攻击力了 又学到了一招扫堂腿和提内裤攻击
但这部作品很不错，他在滑稽的边缘上完美滑行，让人欢笑却不过度，放得干脆，收得及时，所以看起来很舒服，不尴尬。如果还有什么可以更好的地方，我觉得是，在影片最后如果稍稍的给出一点暗示，暗示男主可能确有一点超能力的可能性，就更令观众欣喜了。
不得不说电影里有很多夸张的场面，战衣上的投影技术是怎么做到的，Laure被撞来撞去都没事，直接安然无恙。
有点一般，期待值太高了。致敬和恶搞的点倒是大多可以get到。（苏州去横店的高铁上）
我猜是漫威DC这些超级英雄粉丝看这部电影会很爽吧？因为各种致敬各种恶搞，但对于我这种漫威恐的人而言，就没什么大乐趣了，还是觉得挺俗套的，也就60分吧
非常适合容易emo的Sunday afternoon观看。我仿佛又回到了初中爱看篮球的那段日子。
草根胡安在野球场被一心想要成为教练的资深球探发掘，想要通过试训让他通过选秀为自己的母队效力，虽然篮球天赋鹤立鸡群，但单身爸爸的身份和暴力伤人的前科，让他难以适应球场垃圾话的攻势，体能和技术可以在天道酬勤的下提升，但良好的赛场心态却是常规训练中无法雕琢的，求生心切的对手只会攻击你的逆鳞，诋毁她女儿那个离他远去的母亲，用拳头而不是用篮球打倒对手让他自毁前程，一场不期而遇的试训才让他实现了救赎，只不过下次你遇见我的时候我们将是值得尊重的对手，击败你是对你最大的尊重。
篮球也就那么回事，但是这个运动员真的好帅啊救命，但凡在联盟里打得出彩点都可以粉一粉的程度（不是）
片尾字幕都得暂停着看的电影啊。减一分给男主，球打的一般般。话说回来桑德勒不演搞笑片还是很别扭。
真的好久没有看到过这么让人开心的喜剧了！
（6.5/10）普通人只会认为能进NBA都是天赋山顶的人，却不知道比这更重要的是环境、运气、和一个伯乐。
相当好，合格的电影最基本的就是讲完整一个故事，现在居然要拿出来表扬了
我多复杂啊，我是所有之集合。眼前所见之我是当下之我，可窥见，无从判断。
Élodie Fontan是真的像Sienna Miller……22/06/20
情感充沛的励志体育电影电影，作为一名球迷十分买账，难能可贵的是由一群专业球员拍出来的，另外华子的演技是真不错。
挺新颖的 不少NBA 教授 骨头收集者 迈卡都露面了 挺惊喜的hh
7.5分吧，“小国小民”式的法国幽默用来调侃美式个人英雄主义可以说是量身定做了。看似是一部自嘲恶搞超英的喜剧，实则内核还是关于爱与成长，虽然爱的探讨浮于表面但胜在跟自我吐槽一样怪有诚意的。PS：法国人自嘲起来真的太骚了，巴黎圣母院又被炸笑死我了！
但这部作品很不错，他在滑稽的边缘上完美滑行，让人欢笑却不过度，放得干脆，收得及时，所以看起来很舒服，不尴尬。如果还有什么可以更好的地方，我觉得是，在影片最后如果稍稍的给出一点暗示，暗示男主可能确有一点超能力的可能性，就更令观众欣喜了。
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