The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
遇见可爱的人,忧伤都会被治愈。有幸生在温暖的家,长大与梦想都不再是别无选择,你会懂得尽自己所能,在爱别人的过程中被爱反馈与成长。
还不错挺好看的,好喜欢这部电影的画风,推荐观看
感觉画质和故事都是平平淡淡的…经历地震一起与陌生婆婆在农村疗愈的,治愈成长伤痛的故事。有妖怪和鬼神什么的…
有成长の悲伤也有不屈の勇气
在深夜食堂是一对到这里是父子。看得我也担心自己的养老资金。
谁不想拥有一个能跟佛祖和合同交流的房东,以及一个如多拉a梦一样的家呢
现实的生活才不会像电影那样轻易解决哦 还是从当下开始好好攒钱才是正经
不得不说,日本对传统民俗传承的很好,很多日本影视剧里都能看到传统仪式、活动和各种传统节日。
妖怪陆续出现那几个片段不错
天海佑希和五郎的组合很有意思,但是是妈妈最有气质和神韵~主题沉重演绎的很轻松,只能当做一部喜剧来看了,没有啥社会价值~
虽然是经典和解结局,有点粉饰太平,但是我看的还是很开心。
场景色调都很疗愈呀~ 就是穿插的故事开头和结尾为了衬托出迷途之人成为家人,显得有点牵强和无趣。
日本婆媳关系让人羡慕,人到中年面临的危机还真多。
后期很仓促,画风实在不适合最后大战,讲讲妖怪和日常故事的话会好看点.
我一直以为,会有结和父亲和解,或者是回家的戏份,居然没有,看来是我落于俗套了
喜欢画风,剧情有点说不通但无所谓,只有女性的大房子大庭院大花墙很让人向往
一部我以为是日常向,结果带奇幻色彩的番
“生活就要尽自己所能,我们都别无选择,只能尽我们所能。”
芦田爱菜总会接到一些冷门题材、奇奇怪怪的作品啊... = =lll
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