Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.
Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.
Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.
No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.
A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.
Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.
In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.
画风很可爱，故事发展在意料之外又在预料之中，配音也很贴，同场的小朋友都看的很开心。
整体能看，比无脑爱情片好看。就是搞些乱七八糟的细节不知道是干嘛的
有很多中国元素，但是对话很美式。四岁多的女儿全程看下来很开心，大人则会看到里面很多知识点。居然听到姜sir的配音是惊喜～
网大里也算得上用心的作品，安志杰奉献了精彩的演出！女一狠劲可以，但是和她戏里的老公一样太爱装X，以至于过于中二。扎昆手下两大悍将的口音听的我这个出戏……
带孩子去看了，意外发现很好看，菲拉萌真的长得很萌，故事情节有部分是很新颖的，老少皆宜，语言很现代，很搞笑，小点的孩子有的话可能不明白什么意思，但画面依然很好笑，孩子们难得看的津津有味，全程跟着剧情走，大人也看得很开心，一次不错的体验，一部不错的动画。唯一个缺点，说话太快了，尤其是妹妹，有时候都反应不过来在说什么……😂
冲着制作团队以及中配版阵容去的。意外地好看，剧情有点点老套，反派有点出乎意料（对动画电影而言，‘病娇’属性的角色这两年才开始变多的吧）。但还好节奏紧凑，故事主线明显。最后，还要为马正阳马老师鼓鼓掌，对声音的控制能力太强了！观影的时候根本没发现是他！也有可能是我对他的声音不够熟悉哈哈哈
全世界都说中国话
在网大里就算佳作了，安志杰也算是动作明星里的代表之一，特别是女反派，杨杏，演技出色，有点孙俪的神采。但是剧情无脑和台词弱智从来都是网大的硬伤，这是天然的。
剧情有点老套 疯批什么的真的太多了也不是好事
看了另一部云影院《盲战》，不得不让人联想起《黑侠2》《特殊身份》什么的……今年算是中国网络盲电影元年吗？连海报的设计概念都是类似的。你不得不承认子弹横飞，好象不要钱似的场面，还挺好看，但除此之外，也就没什么了。安志杰人中边的伤，感觉是在“模仿”洪金宝，倒不如增下肥，接下来就演洪金宝式的角色，没准是职业生涯真正的转机，《盲战》里竟然还有一个角色，是在非常卖力的模仿曾志伟。这片的坏蛋分势不两立的两帮，那个“妖女”一直潜伏在盲警身边，虽然后者似乎早就“看”穿了她，可就是不响，但问题是，另一帮坏蛋为什么也不响，不早一点向盲警拆穿“妖女”的身份，从而让后两者自相残杀，坐收渔翁之利？这本是中国思维的最高智慧啊！
022 为什么有人说里面有病娇女演的很好？？？？？？这啥啊这是…配病娇这俩字吗……可惜了安志杰现在只能接烂片
女反派有点意思啊，整体武打动作还是差点意思，拆弹实在是太俗了
高配网大，女主人设不落窠臼，就是剪辑有点乱，情绪不顺畅，不过在网大界绝对物有所值，没有浪费时间。
🎹网剧+港片风格相结合吧，漏洞百出，看看动作电影就好。女反派演的真的好，身世方面探讨的不够深入，结局马马虎虎的。
嗯,能把那么多元素还算合理的编排出来,也是不容易.
如此敏锐的盲人咋不做盲侠呢，剧情过于狗血。。 202205看
真是辛苦杰哥了~看完了，女反派也挺努力的，甚至有一段一镜的枪斗~
我真的救命，中美合拍，中不中，美不美，真的是膈应人，还有那只小狗，黑化得也太突然了吧
●很喜欢男主跳窗逃跑后又从电梯里上来这一幕 。电梯杀人这一段也很智斗，这一节打架男主都是全凭智力赢的(因为对方个头太大了)
最好看点是拴着狗链的情节真多，估计导演有这方面的特殊癖好。我嘛，看着也挺过瘾啊。咳咳咳，好像说错了什么。
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