Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
比想象中还赚人热泪，后半部分真的太感动了（不要因为前半部分有点中二就跳过这部很好看的！）
原来AI有一种解读是“爱”的意思啊，这部作品里也是充满着温暖与浪漫般的爱。尤其后面揭晓记忆的时候（脑海中突然想到“你的每个重要的时间，我都在啊”）就直接泪目了
田径赛场、涂鸦墙、两个母胎单身的女孩子等到了soulmate
果然小甜片就是会让人心情好，甜甜的女孩子也让人心情好。不得不夸一夸造型，每个人都很有特点，也很好看。再就是终于不是gay蜜了，男闺蜜真的好懂她啊。
AJ is way hotter than her sister
虽然故事很老套但是看得人好开心！！！好甜蜜好轻松！！！我喜欢！！
无脑 俗气 幼稚 根本看不完
这是一部全程无推理的剧情片的大作,男主Sai的每一次出场带动着剧情的推进,也牵引着观众的心情
虽然剧情上没有什么大惊喜，但是谁能不爱节奏轻快，配乐欢快，美式幽默浓郁的校园百合片呢。
在国际不再恐同日看的完全不恐同的姬片，喜欢同性是再正常不过的事，片里的那对异性恋才是异类，YOU GO GIRLS!!!
就是说颜值尚可的姬片，会让人心情愉悦一点，我只是对如此大张旗鼓的出柜行为保持怀疑而已。
AJ好好，经历也很现实
百合电影终于不再是哀苦悲剧迎来甜甜校园爱情了|∀` )
主题不错 节奏也凑合 就是最后那部分有点太尬了
#和nz人一起看# 近来看crush和heartstopper，觉得就是把异性恋的校园青春片换成了同性而已。从社会文化角度来讲当然是好的，异性恋和同性恋在影视艺术中逐渐有了平等的表达方式。但从艺术创作上来讲无疑是糟糕的，只是滥俗的情节罢了。
a too good to be true alternative universe
当所有美好相遇
超有趣的～
...喜欢上人类的ai，因为那个人类喜欢迪斯尼公主，所以进化出了迪斯尼功能...
普普通通
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