Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
男人话多和性张力是不是成反比？孙锡久话多的时候就不性感了
每个人都很孤独。在我们的一生中，遇到爱，遇到性都不稀罕，稀罕的是遇到理解。
剧本一般 不过两个主角化学反应蛮不错的 不会出戏
没有意思、无趣的故事，没有全钟瑞不会看的类型。(电灯泡字幕太闪了……
全演员脑残粉 性格酷爽 灵魂有趣 生活不腻。 这是成人约炮宣传片吧？但首先也得有女主的境界 才有机率遇到可以携手的对象，因为现实世界杀猪盘估计占比居多。
故事本身有点莫名其妙，但是我喜欢18🈲️的内容哈哈哈🤤
（虽然开头就是一大早滚床单，但其实限制级不高。女主被前男友甩后还主动做了3年炮友，连炮友都没得做就开始做春梦。约炮软件上的两只兔子有点可爱啊。约炮产生感情，但主要是在聊天，还挺有意思的。happy end。）
个人奋斗，家庭，宗教。标准的美国体育励志片，洗脑。但是拍的好啊！
要不是具氏出圈，也不会找这部片子看。没有起承转合的18禁爱情片。
孙锡久每次只要表演微醺的表情我就缴械投降。怎么会有人从头到尾长在我审美点之上。但是即便是孙锡久加上全钟瑞的演技组合，也不能拯救剧本的寡淡无味。这样的故事少了需要大幅度描绘的sex画面情节还有什么意思?
题材一般，但是被两个非常适配角色的演员搞得很不错。
好看啊；男主偷走了别人婚礼的礼金登记册好可爱、尺度正好；女主喝醉哭不是因为被网络诋毁或者背叛或被看轻，更多是期待被爱的心被狠狠泼了冷水；男主真正受到了惩罚；不是偶遇，是因为还爱着所有一直在等；结尾也一点都不煽情。整体又很轻松，喜欢
拍拍贫乏都市的话痨片，但是不是韩国也是县城感么，就乡村爱情。女主大概就是中医肾虚血虚感。但是男女主中间喝酒聊天的戏拍的非常有意思，金句频出。
太一般了 但是全钟瑞演技好好啊我好喜欢🥰🥰🥰🥰🥰
是俗套的py变情人，但是看得好开心啊，喜欢全钟瑞
是我喜欢的那种浪漫轻喜剧，虽然俗套，但轻松。让我想起《我的PS搭档》。19禁的台词元素也用得比较恰当，展现了30代男女的真实困境，不想恋爱，但想被爱。全钟瑞演欲求不满的女性居然意外的古灵精怪，孙锡久也有一种性冷淡的奇怪魅力，两人的搭配既违和又融洽，怪有意思的。
励志故事都那样，
男女主对话蛮有趣，孙锡九多看看蛮帅的，全钟瑞这里面更好看了。
我个人觉得还可以，就是剧情好多小漏洞，演员演技一言难尽吧。。。。。。
3.5，老套的先炮后爱都市男女情爱小品，但是孙锡久完全泰普！太迷人了！最重要的是只拍了一个半小时，太有自知之明了！
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