After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --© Official Site
影调气氛非常好。凶手阴谋的最大缺陷是请了波洛上船。
老版的逻辑更好，这部硬加上黑色角色和女同，唉，真是zz正确 都要放在剧情之上。
为什么要改编？？为什么要搞这么多政治正确？？？气死书粉？？？
看电影的时候完全没想到啊……………………
哎 沒有對比就沒有傷害 78年的那版不好麼？David Suchet的那版不香麼？哎。
尼罗河上的爱情故事 电影对画面的审美十分在线，但是对悬疑的把控不太到位
就比上一部还不如，也是服了。爵士放过这个角色吧，你演不了，也导不好。
2.男女主两人的演技待提高，尤其是激怒她的那段戏，有点假。
我觉得肯尼斯拍这个系列更多是刻画人物群像，用更现代的视角解读经典，换句话说是重人物轻悬疑。
锤子是个不成功的花瓶
大银幕的胶片质感给了电影一份很好的观影体验，虽然女同和黑人的当代设定有些刻板，无奈阿婆的故事实在出色，经得起任何时代的魔改。
虽然截至现在的这两部翻拍反响一般，但已树立了统一的风格。
哎 沒有對比就沒有傷害 78年的那版不好麼？David Suchet的那版不香麼？哎。
回想起网友要求众筹不让这导演继续翻拍阿婆的先见之明。盖尔加朵真的是辣
导演这一脸自信的样子，让人生生想吐，演什么角色都讨厌他
没看过原著 第二声、第三声枪声没有想明白 虚拟背景实看着过于假 人物脸上打光不对劲就露陷了
服化道不错，埃及风光也很美，但实在是拖沓，一个多小时才进入正片，推理的部分也不够精彩，感觉就是让一堆明星华丽地走一下过场，莫名的歌舞也蛮无聊。
三星半。又一套老式大製作，上半主戲前極為輝煌，查案戲肉反而相對失色。全明星陣容其實不太必要。
全靠侦探蒙，每个人都怀疑一遍，最后肯定有人是凶手。
很标准，中规中矩。虽不是特别出彩，但也没必要说的很烂。一部经典作品被重启就注定会被比较、被评说。但《尼罗河的惨案》看的是什么？看的就是一副英伦范、一种浪漫。作为戏剧，重要的基调是人物，此片还算明确的表述了人物。所以当人物太多，影像无法一一刻画的同时，大侦探用案件推理交代人物关系，这是必然也是巧妙。这正是《尼罗河的惨案》无论电影还是戏剧经久不衰的魅力！ 21世纪的《尼罗河的惨案》怎样表述大众才能满意？？也许它算可以了。
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