Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”
“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.
In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.
boring.. chris pine的谍战片永远是这么无聊。
能把劫机案都拍得如此拖沓无聊，二倍速都嫌慢，太多的感情戏份，人物情节动机都太薄弱，情报工作又小儿科有感情用事，各类大忌都来了个遍。有些演员就总是缺乏主角气场和眼缘，比如本戏男主。唯一亮点是落日餐厅，太美了！Amazon影片还是差点意思。
感觉反转还蛮有意思的，最后Ce真的抽身走开回家让人蛮难受但是感觉这才是真的走出来了。派派真的好适合演这种一往情深的颓废感
我不介意你们zzzq黑白配,但能不能不要找老到50岁,长得也不好看的女的来演爱情戏,看得太出戏了.找哈里贝瑞来演还能更接受一些
我承认有时通过对时间线的剪辑会让电影精彩纷呈，但影片开始就剪到这么乱，乱到对人物关系建立缺乏根基，对事件理解存在迷障时，反而会觉得这些所谓技巧有碍观瞻。
派又深情又帅，死前流鼻血那段美死我。看完只想说人得拒绝办公室恋情，节奏有问题但是派真的好棒哦
以为承包商就够烂了，这比承包商还烂……无数的时间横跳，导演没有别的技巧可炫了吗？
男女主真的很搭配，虽然取材很贴近生活，但总感觉有点勉强，可能是电影表现上的问题
讲述的宗旨是什么？情报组织最终一定会灭口？？为了真爱，宁愿牺牲一飞机的人？
为了爱背叛一整个国家，还有派派的美好肉体，不挺好？
这个片名翻译是对片中不可描述的片段的暗示吗，突然间想到《项链》小说，因为爱你这么做…………
完全拼演员的感情戏能力，眼神语气。又是一个小制作电影，基本上就在一个餐厅靠对白走完全场。本来以为是部动作片，结果是部爱情片。另外要赞的是镜头的运用，对两人的眼神，表情的特写都很棒，即使是床戏，选的角度也很有冲击力
这……算男主多年后主动送刀？以为是劫机动作片的可以散了 没啥意思……
两主演颜值都已经老了，演技也没觉得未老。整个过程看了力不从心，悬疑差点火候。
其实还好 就是告诫大家没事别和同事瞎谈恋爱 片尾是翻唱cure的love song 实实在在是披着间谍外衣的爱情片了 whenever I am alone with you you make me feel young again 片名翻译的宝刀未老 可能也只是扣在了这里 呵 这恋爱的酸腐气！
冲着大明星去的，实际却是部小成本制作，味如嚼蜡，花了1小时稀里糊涂看完，还是再来豆瓣看别人的解读才明白是咋回事。
前面的情节还挺精彩的，后面一个个twists & turns也太弱智了，什么鬼motivation
一场劫机事件背后的爱情故事。N场床戏，挨个排查泄密人员过程，在饭桌、办公桌和床榻转换之间，爱恨情仇，前因后果，旧伤新恨一一细数。50岁坦迪和42岁克里斯的年轻面容还原得较好。5
CIA中年情侣，为爱智障引发的悲剧，一飞机的人做垫背最终救了她，她哭着回家抱娃……大段的对话，各种闪回拼凑整个悬案，表演尚可，整体平庸。
我还是蛮吃派恩的颜…看他主演就看了。就是中文片名感觉和整部电影没啥关系啊…整个故事如果接受对中情局办公室恋情的设定，还算讲了个有转折的爱情故事。
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