You are never fully liberated from Auschwitz, 11 July 2016 Author: Red-125 from Upstate New York The French movie "À la vie" was shown in the U.S. with the translated title "To Life (2014)." It was written and directed by Jean-Jacques Zilbermann. The film is a Post-Holocaust saga, although it opens with scenes in Auschwitz that are truly horrific. Hélène (Julie Depardieu) and Lily (Johanna ter Steege) were friends in Auschwitz, and they managed to survive the death march from Auschwitz to Louslau together. A third friend, Rose (Suzanne Clément) was unable to walk, so they were forced to leave her behind. As it turned out, Rose survived until the liberation of Auschwitz. The three did not see each other again until 1962, when they come together for a reunion at a beachside resort in Northern France. We learn early in the movie that Lily divorced her husband after the war, and is living as a "free soul," with no permanent partner. Hélène and Rose both married concentration camp survivors. The plot of the film--based on the lives of three actual friends--revolves around their interactions during the reunion. No matter how much ice cream they eat, and how they display their new bathing suits, thoughts keep circling back to Auschwitz. They quarrel about tiny details which they remember differently. They revive horrible memories. It's clear that the reunion will change their lives, but whether the change will be for the better or for the worse is an open question. For reasons I don't understand, "To Life" caries a terrible IMDb rating of 6.1. Fortunately, we saw it as part of the excellent Rochester Jewish Film Festival. If we hadn't had "All-Event" tickets, we probably would have stayed home. This is a movie to be seen, not missed. Ignore the rating and seek it out. It's available on DVD, and it will work well on the small screen. See it!
还是很有深度的一个恐怖电影，怪物吃的不是人，吃的是“顺从”；子女对父母的顺从就是子女的虚弱，子女对父母的反抗才是打败怪物的关键。
anti-pc alt-right trollish horror，不得不说这个创意可以。
除了在一只脚骨折情况下把一个壮男从三楼运到地下室不合理外其它还好！
女主是疯批，满嘴屎尿屁器官等！伪纪录片风格，只要挺住晃的镜头，其实还行！
除了那个长得不知道像啥的怪物还有点特色之外其他的部分毫无看点。
太疯批了，主要是没一秒能看清画面，而且也不是行车记录仪啊
还以为只能祭祀女人呢，最后和大蛾子合作完后，也不展开聊世界观，也不填前面这些鬼魂的坑，整体还这么需要快进，算了吧
亮点全在怪物造型，砸头那里也不错。原来怪物也吃男的，但老板为了方便下手只抓女的。
预订年度十佳，足够恶趣味，足够爆胆吓，足够反主流，女主的口活儿也是真的够劲爆
故弄玄虚
怪物昆虫与血肉融合的质感太惊艳了，蝶翼幻化为赘皮，两条蜘蛛般的后肢连接着巨大的手掌，干燥的抚摸有种诡异的温柔，当她站立于女主上方时，身下的嘴垂落黏液，仿佛要吞噬一切，又仿佛一切皆由她分娩。
不得不说，女主太烦人了，我都想薅住她头发在方向盘猛砸五百次，纯粹为了恶而恶的胡诌片，低级趣味，下三滥粗口，屎尿屁里开心的打滚，恶臭至极。
这姐们挺乐，本来怪物应该是近几年看过最恐怖的。
没有身份的偷渡打工人真是太悲催了吧………全程都比较一般，最后的伤脚突然神奇恢复了，反倒是真正的亮点吧～～～
邪教的内核，之外也没什么，就是惊吓……最后，弱女子反杀，意外成为新主！
就，完全失控，意料之外的爽哈哈。屎尿屁满嘴脏话
#2021TIFF午夜单元观众选择奖第三名
结尾口嗨导演、制片人……，连替身都没有放过，这娘们儿是个狠人啊！
三星半！很有趣的恐怖伪纪录片，全程各种讽刺各种黄暴说唱，就完全不无聊！
这种没头没尾的狗屎玩意真是要看腻看吐了,负分滚出
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