Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
我嘞个去。。。
作为一部网剧的确还不错。女主竟然是天水妹子也是惊呆了。这部大概是达叔最后一部？
太怪异了
一个影视作品太成功，成为了20几年也打不破的套路，有时候也不是好事。
九孔那台湾腔太出戏了。黄轩都来演网大了，这不给五星？这特效也可以啊，比流量烂片好看太多了，情怀满分。
能想到特效花了很多钱，只是不明白考量一部电影，特效的成本比该占整部电影的多少？
剧本短小精干。大话西游讲来讲去也就是至尊宝和紫霞仙子的故事。作为爱情故事衍生出来的同人电影。 贴和原作的故事线和情节就值得称赞。网络电影的水平请按这个标准卷起来。谢谢
导演平行时空的构思很精巧，特效也不错，没有让人出戏的感觉。虽然最后紫霞和至尊宝的结局不算圆满，也算是弥补了当时生离死别的遗憾。
我觉得还不错，演技都OK，还有达叔和《一生所爱》，故事也可以。
剧本感觉串的蛮好！作为不知名电影的话，感觉很好了，不算消费情怀！值得一看！
虽有瑕疵，但是翻拍的最好的一部吧，给个鼓励。一半给紫霞一半给达叔
意外的觉得构思不错，但是能力不足。遗憾了。
粗糙的特效，廉价的布景，简单的剧情，还是让我在最后15分钟破防。哭的稀里哗啦的。只能说，我回忆起前2部的大话西游了。哭的稀里哗啦。
特效也能看得过去。达叔演配角，无功无过。九孔大反派，除了台湾腔出戏，算演的不错。
换个角度来致敬经典，而且拍的有那么一点的深度，有点意思！
都2022了，还再蹭《大话西游》，哎！创作啊！创不出了。说着一些大话西游的台词，再看看那几位老演员，2022了，我们倒退的不止是电影。
剧情的bug太多了，但是紫霞的颜值我还是很喜欢的，再众多大话西游衍生翻拍剧中算是矬子里面拔大个，当一生所爱音乐响起，还是不由自主的鼻头一酸湿了眼眶！四星鼓励，应该还有下一部！期待！
90分钟都撑不满，借壳讲别的故事，容量根本不够，剧情突兀进度条跳跃，插入曲不知所谓，5毛特效还不如删了
没啥剧情。即使是吴孟达在里面打酱油的，也没有增色多少。女主还可以，男主，咋不跟小蚯蚓在一起！！
这小成本能有这质量还不够吗
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