Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
末世噩梦，实验性很强，能引申出许多世界设定
这部片的风格，太符合我的系统了
元素太多，不知所云，不过很末世/宿命论；在定格动画/三维cg/真人cg糅的很6，成片风格很统一
我也是真困，分了三次才看完，中途迷瞪好几次
很可惜的一点就是故事弱于画面了，不知道是不是因为三十年前的设想在今日已经屡见不鲜……但真的，好佩服啊，好佩服！
电影结尾写着Munich Agreement为英国及联盟换来时间备战，就像高赞说的—导演脑中的片名其实是<张伯伦: 被误解的英雄>。讽刺的是，1938年英法德意搞定了Settlement of the Czechoslovak ，把Sudetenland拱手相让给德国，而捷克只能任人宰割。
对命运重构的欲望没有得到实现，但是确确实实的认知了轮回的意义。
上一次看木偶剧还是《阿凡提》……融合了末世、血腥、哲学的怪诞cult片，匠心独具。
导演的这些素材要是能做成游戏就好了，拍成电影没有剧情依托反而显得有些无聊
在走入高清的视觉之后 一切都不再显得神秘诡谲了
是核爆炸吧？是吧
如果非要拿出一个很显而易见的故事主线，似乎有点太难。内容过于丰富神奇并且荒诞。非要夸一夸的话，只能说动画才是电影想象力的边界。
和阿成一起看的，太重口味了！还好他一直开导我说那是道具。。。。。。
诡诞猎奇，血腥夸张的画面使我几乎是皱着眉看完前半部分，后半部分分心了，因为我害怕若将我完全投入我会变疯癫。这种艺术形式对我来说还太过超前了，猎奇得注定不是为主流人群所做的作品。
随便说两个片段：
通过一个看似混沌不清的故事，实则让多种理念相互缠绕，继而生发出更为宏大的主题。蒂贝特用自身极富特色的影像语言，试图去演绎哲学上的三大终极问题：是谁？来自哪里？要到哪里去？
神中之神，每一帧都是享受，就这种电影拍多少都不嫌多。
光怪陆离，荒诞，战争，毁灭，开端，一切即是结束，也亦是开始。
给三星，是因为这个电影真的不会再看第二遍
只用惊艳到令人乍舌的视觉奇观就撑起了将近九十分钟的电影。
Copyright © 2015-2023 All Rights Reserved
