Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
主妇找到自己的“价值”，钻大企业优惠券漏洞，如果这些优惠券都是二维码，可能又有新的漏洞可以钻。
它是會令人高潮的。
一家人公路旅行，解决少女心事，最后来了一场怪兽大战
这个阵容让电影行进到了一个奇怪的走向，片方尽力的想让黄政民不再杀神附体以走极尽的写实风，但总体却是平淡无奇。反派演技出色，脸普通，导演或许想传达一种罪犯极有可能就是身边不起眼的人的视角，以至于放着丁青的对头都不让他来演反派。
没看到结束，我就睡着了
节奏确实一般，没有原版的厚度，有珠玉在前，还是差了一股劲
演技都挺好 剧情拍的不如吾先生 毕竟是翻拍 很难不比较
这么好一个题材拍的这么平平无奇没有high点，写这么多黑人平权的台词，还不忘来几句辱华笑话，导演真有你的
很好的题材，让风骚律师Bob来演估计会火爆～
亚当斯一家竟然也开始玩真假千金梗，到底是什么编剧想出来的！太过分了，要是没有续集了怎么办？要是还有续集又怎么办？
挺搞笑的，卖假优惠券居然能赚那么多钱，女主把钱买兰博基尼和枪也太虎了吧，没想到最后居然判的那么轻，而且居然还有没被没收的脏款。
烂片被翻拍，就像是热剩饭，无论如何也好吃不到哪里去！即便你是外国风味大厨，你用异国的调理，把剩饭炒出花来，它也不过还是发馊的剩饭罢了。
有时候换个ip再拍不乐吗非要一条道走到黑，哎
挺有意思的一件事。我对邮政调查员Simon肃然起敬
资本为了名声对利益的屈从；
觉得7分差不多
整个剧情感觉很僵硬，即使改编也没有提高影片的质量，很看小说一个样子。
把犯罪片拍得轻松幽默且没有荤段子 真的不错
薅羊毛薅上人生巅峰。。。中国又莫名躺枪了😓
没有第一部惊艳，也没那么好玩了，唯一笑点，只有杀小弟弟
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