剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 士如曼 0小时前 :

    6.5

  • 信振 8小时前 :

    喜羊羊:5000多集了吧。

  • 后夏容 0小时前 :

    所以好看的电影真的不限制年龄

  • 东郭雨珍 6小时前 :

    我觉得已经很好了,是一个孩子可以看大人也可以看的电影,虽然画风有点奇怪,但是能看出导演组的用心吧,很多篮球动作变向拉高,胯下背后之类的非常的帅气。如果说再多一点致敬就好了,看的时候还是觉得挺有意思的,比如说“格林公式”在你来之前我们就是冠军了,比如说“教练,我想打篮球”,比如说3号艾弗森经典crossover,进球瓜哥三分爆头,34号奥尼尔,比如说“20分算个屁啊”。

  • 初钰 2小时前 :

    such an amazing cartoon… for ppl younger than 8

  • 叔乐音 8小时前 :

    春节档的动画片,都能明显的感觉到是要兼顾给大人看的,对小孩子的吸引力可能会没那么强。

  • 旭帆 1小时前 :

    希望他成为春节档黑马,也希望以后可以看到猴年花果山叭。

  • 中蕴美 0小时前 :

    有比较真实的篮球内容,有把篮球技巧和运动员优势具象化的炫目特效,要鸡汤有鸡汤,要热血有热血,泪目对我来说还欠点火候,也猜得到大致台词、剧情走向,但心思已不复当年,我们长大远去,那句“我一定会回来的”已经回不来了;儿时哼唱“别看我只是一只羊”的我们,“是否变成无聊的大人”,大概是的……

  • 博辰 0小时前 :

    第一部电影的时候我还在上小学,现在已经是讨厌的大人了啊。

  • 俊妍 8小时前 :

    时过境迁……如今的自己已不再像曾经那样嫌弃《喜羊羊与灰太狼》和《熊出没》……就2022年春节档的两部大电影来看,《熊出没·重返地球》于我个人的观感比《喜羊羊与灰太狼之筐出未来》更胜一筹。

  • 军思松 5小时前 :

    作为篮球题材的体育电影,其实可以跳脱出原有IP,好好整一部。明明关于篮球的内容看着还蛮专业的,但是狼羊虎这些来打,多少有些怪,跟印象里的“喜灰”系列完全不一样。这样其实也蹭不到什么IP热度,而且这样老粉也get什么情怀,新粉未必对喜灰感兴趣

  • 司马觅晴 9小时前 :

    大家不要对自己的童年那么吝啬啊!做的蛮不错了!给它高分!

  • 傅献仪 4小时前 :

    芒果基本在影院看的所有电影都是五颗星…奶奶陪看

  • 云诗 6小时前 :

    篮球部分确实不错,但是剧情嘛……实在是有点太MV了。

  • 完颜雪萍 2小时前 :

    不可否认,比赛过程的确展现了实打实的篮球战术,也运用得令人信服,但叙事节奏好糟心,看得我直接喊困。把原来的设定几乎抛弃,还不如以篮球另起一个项目。

  • 凌奇邃 1小时前 :

    小孩儿看了不懂,大人看得无聊,原声带还不错。

  • 姓卓逸 5小时前 :

    父女二人的表演,

  • 宣忆秋 4小时前 :

    生活并不是所有都是苦难,它也有美好的一面等你去发掘,生病并不可怕,可怕的是你肯定没有一个好的心态去面对它。

  • 休涵韵 2小时前 :

    春节档剧情最佳,希望被更多人看到,剧情紧凑不幼稚且合理,热血又感人

  • 南宫清淑 2小时前 :

    徐玄振🥲🥲🥲三分给徐玄振,一分给电影的台词,人没有记忆的话怎么能叫人,是僵尸🥲🥲🥲

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