Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”
“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.
In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.
确实，桐人的戏份少一点，多注重亚丝娜的角色塑造会更好。
整个电影大概描述的就是人类只会悲伤.
不管怎么说 主动被动选择了这个职业总是悲哀的 最古老的职业 最深远的偏见
从阿斯娜角度，把之前的故事线丰富了起来，还多了些人物，有点意思
和TV版的相比，更加华丽，换成了亚丝娜的视角。加入新女二
则么都比之前TV的开头好。
如果之前没有看过刀剑神域，那么这是一部好电影，看过只是补充剧情
She lived her life as a grand movie 哭了 也希望我们也能拍出这样inspiring的电影
新角色什么的 还是要期待桐亚的羁绊与邂逅呀
第一次看这个系列，确实很适合再收割一波粉。不过很多文戏不知所云
很多腐剧大男子英雄主义剧八分九分的，这部才7.7分，豆瓣太迷了
恭喜印度女拳电影已经get不与妓女割席成就🎉整个片子的色调和运镜都非常优秀，镜头语言很充实、情绪化、有表现力，把一个街区表现出破败又雄伟的史诗感，女主演真的很可，演技和舞蹈都在线，这种游刃有余的痞气太讨我喜欢了，此外我一直不觉得在结构性压迫下女性“靠男人上位“就不女权了……当说得上话的人都是男人，还要要求女人脱离所有男人孤身一人奋战或者只是集结底层女性抗争这不符合实际，并且这个片子的感情线处理其实我还挺喜欢，为了达成目标可以牺牲一百个小情人~唯一的问题可能是印度这类片子比较共性的问题了，就是把斗争的过程描述得太轻而易举，好像你努力到了火候够了就一切顺理成章，有点太爽文了
从前期的橘里橘气闺蜜过渡到桐姥爷还是有点生硬，我以为作为成长线闺蜜工具人妹子会领盒饭，没想到是背叛设定，有点突兀。。。
梦回16年啊，剑艺在线。
没有期待就会觉得哇还不错。看完之后打算重温第一季，好甜好甜好甜。
就是捏造的新角色
从阿斯娜角度，把之前的故事线丰富了起来，还多了些人物，有点意思
虽然感觉加了无关紧要的情节，虽然asuna的成长弧线略微扁平，虽然失去了一部分原作气息，但我仍然要给永远的五星，这可是刀剑神域，我的入坑作，我的希望之光。
以亚总为视角的故事，有一种新鲜感吧。作画都很不错，但作为剧场版感觉还是太平淡了。
不管怎么逆袭怎么改变怎么斗争，他们的职业才是最讽刺的地方啊！
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