Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
我就一个问题 ：他们能别看书吗！！看过同款书甚至有本一模一样英文版《简爱》的我感觉自己有被冒犯到 就挺草的😅
喜欢的元素依然都不错，华丽美观的视效，有惊喜感的镜头，体面会穿的帅哥，流畅好看的动作戏，但如果剧情没那么硬，有点在uncomfortable边缘试探的笑话就容易惹人嫌（特别是拿历史开涮
导演真是太会了，异地两个人的患得患失，缺乏安全感的猜忌和自卑、还有嫉妒和思念。毕业工作是对两个人的关系来说绝对是重大考验，这个背景下的各种问题和反思也得到了展现。但是XOXO真是和剧情非常割裂，虽然拍的很好看，但是又有点尴尬。美剧节奏的反转，看来还有第四部，只要男女主颜值不跑偏，还可以忍一部！
请给标签再加个“喜剧”。这类型电影十年前特别特别多，基本看了开头就知道后面大致走向，给结局多加一星吧
怎么一集比一集尺度小了呢~腰部以下都没啥镜头啊~失望~~~~
现实中真实存在的矫揉造作和超乎想象的狗血剧情
正常版本海棠文影视版？校园电影为啥发展到这一步，还是新时代新扩展出新版本校园爱情~~
熟悉的感觉又回来了。没有某个人就活不下去和爱着一个人是有差别的。该面对的总归要面对，逃避永远不是解决办法，明天醒来又是美好的一天，越大家都可以越来越幸福。Good night🌙
拍不出来，就别硬拍了吧。
大概编剧是因为受不了邻居吵闹的派对而想出来的故事
抱着试试看的想法，结果出乎意料，好电影一部...
我去……the Fray 的那首歌出来就有不祥的预感…果然……请继续狗血下去！
没看过前面两部。男女主颜值怼脸素颜都抗打，然而剧情这。。。也太脑残了吧，果然是《小时代》的感觉。。。然后有点像高级纯情黄片。😂😂😂反反复复没啥剧情，墨迹的。to be continued，妈呀😂
感觉男主爱女主多一些，果然是玛丽苏
请了这么多好演员来搞这么一出，无耻的自我意淫，还真是英国好绅士啊，我可去你妈了比的吧
不要问我为什么看了三部，问就是被费因斯家族的基因鬼迷了心窍。对第四部的剧情彻底不抱希望，只愿结尾不要出现“To be continued”字样。看完想提一个小小的建议，既然是系列剧，请不要把配角演员全换光啊（换爹我就忍了毕竟编剧也编不下去了）！
搞了半天，整个一战，其实就是牧羊人率领众信徒搞出来的！这尼玛简直就是离谱他妈给离谱开门，离谱到家了！
看到这里我想到自己，很多事情没有任何发泄口。Only time heals. 包括到最后，他们在一起的意义并不是追求更好的生活，而是在治愈Hardin。哪里有十全十美的感情呢？必须有一方牺牲的更多。 片尾是Never Say Never！
很明显位置不对啊！
真的绝了 怎么狗血了三部 烂了三部 还在继续拍呢
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