Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
李美琪主演，杀手、砰砰砰......一如既往的性感、飒爽。
被音乐感动得不要不要的，剧情有些凌乱无重点
3.5星吧，前半部分有点拖沓，刀疤还死了有点子难过，剧情冲突的悬疑感有了但是收尾有点平平。
5.6/10，从刀疤的身材可以看出，监狱伙食太好，主角团已经压根不想再逃了。
前半部分是好看的，打着打着突然睡一起了，然后烂尾了。
监狱里的人一边控诉厕纸不够用，一边一个个的精致妆发，呵
完全符合观前的预期，没有不足但也没有惊艳。歌曲不错，不知道是不是现场收音。缺点就是作为名人的传记电影，我看到了一个传奇，一个偶像，一个icon，但是唯独没有看见一个活生生的人。这可是2个多小时的生平啊，叙述了很多事但都像在读名人报道，不够流畅联系也不紧密。
真的烂!但也真的上头!续集!番外外传gkd!
福音灵歌布鲁斯爵士黑人音乐大坑坑！OhMyGuy！❤️❤️❤️
草草的搞个完结篇，剧本还是那么低智，另外少了张继聪的监狱就不完整的道理不懂么
竟然还有宇宙 没看过前两部我以为最后会反转 没想到是轻松的港片
Jennifer Hudson vocal还是扎实的，能基本撑住Aretha这个角色，演唱戏份都还算不错，但这个传记电影各个方面都拍得有点水，显得没那么尊重。
智叔！可惜最后一部电影那么努力，却都是TVB剧的感觉
过程中没有感觉无聊，尚佳。
演员阵容挺不错的，但感觉拍的有点乱，剧情也有点迷，
音乐部分很好，尤其是创作的过程，但其他部分就不是那么喜欢了
歌很好听，Jennifer Hudson毕竟拿过格莱美，驾驭起来也是驾轻就熟。至于剧情感觉跟这几年的黑人传记电影基本没啥区别，大概相比Billie Holiday那部就是因为歌手个人原因和时代原因多了马丁路德金。另外，Forest Whitaker的演帝级表现没话说，几个场景里的面部表情和情绪控制真的强。
啊这…就给那些演员吧，就一个正义宣传片呗！干嘛说是电影啊﹊
这个杀人案其实很简单 放在TVB里也不过是个小故事 只需要看个十来分钟甚至看到张建声出场了大概都能猜到了 但是这电影讲究的是演技。鲍起静进病房看孙子的那一段 廖启智最后在游轮上和曾江那一段 让我们见识了什么是TVB演技的天花板。但是 法律并没有维护到被冤枉人的权益 如果这个女的老爸不是有钱的廖启智？方中信这个角色根本帮不了他 这是最大的败笔。还有陈家乐这个角色没有什么存在的必要……
唯一让我觉得膈应的还原案发现场那段
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