Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
很cliche但是很暖小男孩眼睛充满了希望
生动解释了“降维打击”和“内卷” 结局没什么必要 一部轻轻松松的网大 逻辑不严谨 看着有点膈应
如果一个人没有梦想（普通话）
现在导演门槛真的低啊，东北大款都去三亚买房这个梗是真硬核啊
一部呈现效果还不错的少儿歌舞剧电影。本身歌舞剧题材就不太好拍，而且是少儿的，难度更大。演员的表演都很到位，所以最后一也不错，但是配角感觉有点故意安排成了亚裔，男主的女票安排成了一个非裔，看来导演这是谁都不得罪，讲政治的典范啊。男主在百老汇载歌载舞的片段，还替tiktok做了个广告……
能從電影中看到「食神」的一些場景，但不是每個人都是「周星馳」，模仿失敗看起來就顯得很突兀。電影的結局我以為會是，男主角和老闆說讓老爺子加入自己，自己也可以照顧他，讓老闆與老爺子和解，男主角和老爺子合夥開店。但是這個結局吧，就顯得有點奇怪。作為網大算合格吧，吃飯時候看看還是挺好的。
很cliche但是很暖小男孩眼睛充满了希望
有些桥段挺搞笑的，演员表演没问题，就是剧本太平了，冲突不够
挺好看的啊，非常搞笑，剧情逻辑其实也在线啊，豆瓣对这类搞笑国产电影太不友好了，这个分数绝对有点低了，直接拉满～
主演: 崔志佳 / 张琪 / 郭祥鹏 / 王喳喳 / 李昆鹰 / 何雨桐 / 张馨月 / 莉可
中规中矩无功无过的歌舞片，刚刚步入青春期的少年逐梦百老汇舞台。非常迪士尼，主人公一路顺利，顺利到让我在观看过程中甚至会一直害怕它是不是马上就要发刀BE了哈哈哈，所以总的来说剧情走向也非常可预测。音乐还不错，音乐剧感很浓，可能由于主演是小孩的原因舞蹈比较少，二刷其中的曲目还是挺耐听的，适合无聊时拿来放松的合家欢类型
看个乐呵，还可以。
5分。有几个包袱确实抖的不错，还残存以前大潘佳佳合演小品时候的风采。其他就很平庸了，妻子线完全不合理也没意义，女主角脸蛋身材名字年龄没一样是真的，故事也过于简单。但还是比李茂换太子强。
螺蛳壳里做道场，全片大部分场景都在两家烧烤店中间展开，就是让你笑，每次煽情都会被强行打断，反而更有喜剧效果，很多包袱的铺垫和反转都能看出主创的用心。缺点就是佳佳角色的喜剧性并不突出，没有很强的戏剧冲突，让故事显得很平，反而是每一个配角都有让人印象深刻的亮点，就导致整个故事偏散。
哎真的很好笑啊，妻子怀孕那个细节也真实，孕中期已经不用化妆品了。我东北的特别能感受到笑点，两个人都特开心。乐喷了乐喷了。
意外的喜欢，人生确实就像围城，姐妹羡慕互相的选择，难以敞开心扉，个中苦乐只有自己明白
两星半，故事笑点什么的，其实都挺一般的。
这两年真是网络大电影井喷的两年，有点人气和资源的都得掺和两下子
圆润的佳佳还是爱笑熟悉的感觉 比预料的好不少 没有故弄玄虚搞大场面 故事结构简单讲的清楚 小笑点穿插的不错 最后也算圆的合理 结局挺可爱 恨不得家楼下也开个这么红火的烧烤店
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