"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
宽容理解跟鼓励戏精是两回事吧？鼓励小孩戏精上身没有罪恶感么？
平民的利益包括生命在权益阶层那儿是微不足道的，这是一个永恒的主题。
没有资本主义的隐瞒真相，没有勾心斗角的争夺财产，只有朴实的行动和撤离。几个大场景的特效也不错，没有太大的逻辑bug，这里牺牲没办法避免了。看多了好莱坞式的，这部片子就很清新。
原来以为我们是个石油国家，其实我们是个海洋国家。不是所有的资源都能获取的，正在开采的油井若干年后会出现灾难吗？人类应该谨慎向地下深处索取，努力发展太阳能和风电更安全。电影中人文情节也很不错，值得一看。
Family means no one gets left behind. 多一星給到我愛的 “phoebe”
英雄也可以是女性，她可以意志坚定 拯救爱人 对抗灾难。
所有人都在努力救援！智商都在线！同事小哥的牺牲太可惜了……
一开始就觉得这俩会凑一起，结尾不出所料。飞机那个伏笔还挺浪漫的
小哥北海钻石油，台塌气喷四处流。爱人舍命来相救，事业爱情险中求。
勉强打发时间吧，小国家拍灾难片格局太小了，无力吐槽
万恶的资本家！
🎬《北海》🌟
这部电影就是个灾难，而做女主的朋友更是灾难中的灾难。
石油泄漏，地壳运动什么的，拍的挺垃圾的，愣是拍成了半个感情戏，而且为什么总有“为了救主角好人会死”的剧情，三颗星都不想给
就看看视觉吧，从中间到底救不救人时，女主演技开始泄气，为了推进剧情硬生生制造出的剧情实在是……尤其是工具人同事那段……勉强三星。
没有资本主义的隐瞒真相，没有勾心斗角的争夺财产，只有朴实的行动和撤离。几个大场景的特效也不错，没有太大的逻辑bug，这里牺牲没办法避免了。看多了好莱坞式的，这部片子就很清新。
结尾说：“灾难告诉我们不是石油国家，我们是海洋国家。” 格局打开了呀，灾难片处处都可以植入斯堪的纳维亚地区精神气息与民族性格哈哈哈
结尾氧气罩有点刻意了，以及Emma在餐厅的那个绿色碎花裙哪能买
还行吧，女主给力。可惜了工具人强行送，还不如皆大欢喜算了~善哉~
非常老套中规中矩，小演员的确很卖力，不过音乐剧表演放电影里真的好夸张哈哈，Phoebe全场最佳
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