Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
手术是新的性爱，吃塑料是新的反抗，打开自己是老一辈的艺术家。
不论观众怎么想，柯南伯格真诚地在用身体恐怖呈现自己定义的美感，这一点与那些顶着身体恐怖名号的人截然不同的。
虽然内核还是柯南伯格式的科技带来人的异化，但是依然好看
变态的人类忘了交合，直接躺在癞蛤蟆控制的手术台上XX。
概念很新奇，设定也很有趣，但故事本身乏善可陈，惺惺作态，实在大失所望…
升级版《感官游戏》罢了，柯南伯格用老套路炒自己的冷饭而已，看完内心毫无波澜。小k全程气泡音而且仿佛得了五官多动症一样满脸抽搐；蕾老师讲话的感觉就像吃播网红，因为麦离嘴巴太近而不敢高声语；V叔，一个表面是艺术家背地里游走于黑白两道直接的双面间谍？那句“我对传统性爱不是很擅长”看得人疯狂发笑。
过去的未来，什么禁忌玩意儿都能艺术化，这是一部没有进化的柯南伯格B级片
的活动的一致，只能被看作是并合理地理解
预感不咋样结果真的睡着了……就不应该信这个邪
欣赏不来，器官恐怖还不如那些纯粹的分尸血浆，到头来难道是个环保片？
全程只有murmur，听不懂也没字幕，不知道是不是只有我们这一场是这样的。
他注定孤独呗。有没有人听他讲讲，可能也很骄傲吧。
梦感。寓言感。没有“世界”。性的焦虑；创作的焦虑；表演的焦虑。生育的焦虑；增殖的焦虑；进化的焦虑。进食的焦虑；疼痛的焦虑。最后一镜的Viggo，无神的眼，一滴泪，蒙难的贞德。“Not good at the old sex”又何尝不是一种自反，如今neo-sex也成了old sex。视听有锐利的胶稠质地，挥之不去的蕾雅·赛杜和Howard Shore。
9/10。不出所料，年度十佳。实质上的第一部柯能堡。
们逐渐失掉各种可能性，刺瓣的是一个被塑造
有人将无痛感视作异样，将未知的器官视作肿瘤，将无法感染的肉体视作退行；有人接受并利用这样的身体，将食用塑料视作进化，将它视为人类未来的命运。我们能接受人类的身体进化到什么地步？你——能有多激进？
真的是没有这个必要，这种体裁真的是找不到意义和审美趋向。看演员也看不爽。就不太行。
太意识流了本人看不懂…就觉得能消化塑料那改造挺好的（（（（K这个造型好看
只是行为艺术的主题，咱也看不懂。
Porn is also a kind of art.
Copyright © 2015-2023 All Rights Reserved
