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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
还原度很高不存在魔改，照搬原作分镜拍出来便看清所谓神作漫画残酷写实压根是异男自渎要多离谱有多离谱，论悲悯为虚剥削为实甚至完败给当年《感受大海的时刻》拍成电影的瞎改。
比国产少儿动画要好一些，这种有本土元素融入的中美合作可以多尝试，至少不会只有低幼。
只有我想知道最后那个蛋孵出来的是什么嘛！！
正常的中学生不会为了做而做，因为身高长相被拒绝了，就好好地去提升其他方面，上大学和进入社会总会遇到能够相互吸引的人。
女主的长相是耐看型的，刚开始看的时候就觉得还好，看到快结束的时候，觉得女主很好看。男主的长相是我喜欢的那种丧丧的有点阴郁的长相，妹妹头很适合他感觉，看过他平头的照片觉得普通，男主好像是01年的吧，长相虽然不算突出，但是演技真的不俗。全片的滤镜很好看，每一帧截下来都很有意境，意外的喜欢这个风格。故事确实挺青春伤痛文学的，从开始的女主对男主没有感情到后来慢慢喜欢上男主，以及因为女主删了男主电脑的照片而发火，到最后男主拒绝亲吻女主，他们之间的感情是层层递进的。我个人认为，剧情后面的时候，男主和女主说他遇到SD卡里面那个女孩，拒绝亲吻女主是因为他知道后面👮要来找他调查台球厅的事，所以故意让女主心灰意冷（没有看过原漫画，纯属瞎猜，勿喷！）。仓悠贵很适合金发，感觉他把小混混演的很生动。总之很喜欢！
4. 全片太多对白 又夹杂了诸多英文梗 换皮泰囧做实.
片名叫错位的青春，电影视听也错位。漫改电影不可避免的夸张化尴尬化在片子里毫无意外一一踩雷。表演的不成熟，剧作和视听的错位，一会黑化丧化，一会情欲化，一会甜美化，一会轻松化，风格反复横跳，看起来内容是塞得满满的，但连最基础的人物动机都没有捋明白。很理解新导演初执导的兴奋，但还是要懂得克制舍得割弃。
比另外一部电影化的好点吧。两个主演的外形都比较还原漫画，但是演技就呃呃了
残酷青春物语，结束的一抹亮色破坏了统一的阴郁风格，说不上是好是坏。
比起荷兰弟冒险记，这部的寻宝有趣多了，难度也比较大，甚至喜剧元素也更高明，可能桑姐长得就是一副喜剧脸，说的话跟动作都很容易令人发笑（尤其我笑点低），而且，她还是动作片出道的咧。当然，需要感情需要认真的时候，桑姐还是可以认真，可以感动到观众的。皮特哥和桑姐到底合作过什么作品啊，友情可以好到大家一起去客串另一人制片的电影？是一个很妙，我很喜欢的组合。
第一次带娃在电影院看动画片，意外的大人也能获得快乐。暗藏的梗希望宝宝有天也能看懂❤️
科普有些地方硬了点。不过既然做科普，为什么渡渡鸟要搞错成多多鸟呢？编剧既用功了又没用到位。
反派角色的背景真的不是抄袭马达加斯加的衍生电影企鹅吗？情节过于俗套，毫无惊喜。最好看的部分都在预告片里了
被孩子去看的，可能也就睡了五分钟，很不错了！小狗真的萌！
青春的痛并不是轰轰烈烈的故事，是平淡中的迷茫。
合格的chick flick。导演就不能让快六十的 Sandra bullock 穿点舒服的衣服和鞋子吗？
性、友谊、爱情、青春。每个人都在大乱斗中成长，就像在沙滩上捡破烂一样。日本的青春电影真是生猛。
比较低幼，小小孩看着挺开心的，大一点就一般般了。
明星超多，剧情超烂，咱以后请女明星的时候能不能请一些年轻的姐姐演，别请奶奶来演玛丽苏的角色，真就国内国外都这样，看得我直反胃。
能够预料到结尾的drama故事和床戏是最难拍的。但是电影后半，台风过境的戏可以称神。bgm配上跟随着女主随风飘摇的手持镜头，让我想起sunny day service「苺畑でつかまえて」的MV。
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