这是Richard Lester最好的一个片。
An absurdist classic
This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth?, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example: "And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge?' - and the mummy bear said, 'that's no porridge, that was my wife' ". Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to "keep moving!". Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
“我”在历史长河中一直以谦虚寻找发问但神化自我的方式存在的，一直在找的那个神其实就是自己，只是一遍一遍的试图验证这个事实。片中人类攻克精神构成之后，研发团队忽略这么巨大的精神信仰崩塌，仅仅为了守护所爱的人不心碎，但出轨的时候又不假思索。人类真的是复杂又可爱的生物啊。
人类掌握了分子级别的生物克隆技术，
我挚爱的一切
虚假的自杀小队，真实的正义联盟。说实在的，现在还能把超级英雄电影玩儿出新花样来真挺不容易的，而且这部电影拍得也确实好，五星没毛病！
越长大越多被迫面对病痛和死亡，越感受到造物之残酷。通向衰老的路径必然而不可逆，而这一切带来的只有悲伤。这必然发生且几乎百害而无一利的事，是写在我们基因里的宿命.....
一部关于死亡的教育片，知死方能珍惜眼前，知死方能珍视生命。
也许能和《黑寡妇》梦幻联动一下。
开始觉得漫有新意，后面也拖沓了
7.5，算是很好的情绪类电影，只不过有些类型元素插入的莫名其妙，又惊悚又悬疑的。当陌生人旁观自己的生活，回溯记忆去告别，个中滋味只有自己知道。
苹果智能产品概念展望。随着科技社会发展，人活得越来越像机器。克隆人代替品属老题材，记忆移植等同永生，记忆篡改、无备份相当于死去。虽有道德触碰，只是我觉得它完全可以公开，交代好后事，终结也不是可怕的事情。★★★☆/7.1
奎因爆杀那段真是又帅又狠。在血腥暴力中加入可爱与幽默中和，不然猎奇程度不止R级。故事线交汇的设计比较有意思，抱脸海星的最大敌人居然是老鼠。
斯科塞斯形容漫威为独立于电影的“视听娱乐
闷。
这也是全片唯一触动到我的点了。
节奏太慢了，部分场景很漂亮，故意设计了一个看似美满的结局。#20220203
自己知道自己寿命不久，像带孩子一样的培养克隆人去照顾家庭，这个心情也太复杂了，虽然百分百克隆自己，但是也终究是另一个人。。。不过是我自己的话，乐得清闲
像散文小品，隔靴搔痒。人物内心挖掘的深度其实还有些空间可以继续…
DC难得豁得出去的一次释放，对于暗黑路走绝的大方向而言，说是漫画元神的回魂重生也不夸张。
就蛮讨厌这种故意的性冷淡呈现方式，搞的一个不痛不痒的软科幻，自怨自艾的自我拉扯，不过倒是满符合现在很多apple tv的受众的。两个演员原本都是好演员，硬被这层滤镜搞得不伦不类
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