Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
依旧是温暖的故事 夏目变得厉害了呢 一拳ko娘口三三
夏目的剧情不重要，重要的是夏目的存在，只要存在就是美好。
本来也想闭眼打五星，但是看了以后感觉剧情有点空洞，田沼和夏目，你们俩还是正常的友谊吗？
田沼果然很温柔啊，真的好喜欢田沼和夏目在一起的感觉。冬和夏，今夜又在夏目的世界里度过了两季，真的每次都有被夏目治愈到。
一开头就被治愈了 我也想养一只叫sansan的喵
良作，不知道为什么只有2篇，不知道为什么60分钟都不到还要做剧场版，就是两个小故事，大概只有片尾曲好听】另外标题的石起こし翻译成唤醒石也可以啊，塞翻几个意思
3.5其实这两集倒没有多么令人惊叹，诡异的访客剧情和立意还有点意思，石起一般。咱之所以微笑着看完，那是因为对夏目不变的爱，期待主线剧情的第七季早日到来。
两个短篇故事，石起就还挺原作常见的助人为乐（？）结局其乐融融的简单故事，还挺结草衔环君臣意的（bushi 三三对夏目真的好傲娇。第二个故事，围绕田沼和みすず，被朋友落在身后又无法直言的寂寞心情，みすず人形居然是这种type！五人（妖？）组都不知道如何画线为妙了
后面那篇故事也太有意思了，以前怎么没发现三筱这么霸总
《夏目友人帐》多年来无论是TV版还是剧场版，整体风格和中心思想均是如同第一季时的清新治愈、温馨暖心；夏目和他的喵咕森塞、一众人类和怪物朋友、以及养父母滋叔叔塔子阿姨，在电视剧里那个似乎永远存在的夏天里，无忧无虑的生活在这个充盈着暖色调的小镇上。
投胎转世，错过了的话，记得对我眨眼，像那颗星一样
很久不见. 5年没看了. 依旧是熟悉的夏目 只是作为剧场版过于平淡 . 就好像吃薯条没有番茄酱。
觉得自己又丑又弱小的唤石者心想不能辜负大人对渺小的自己的期待，无助又顽强地坚持到祠堂门口，虔诚地叫醒大人，得到了大人严厉又温柔的肯定与嘉奖…
快出七吧😭😭😭
眼睛看不到的神往 也一定一定会
我已经变贪心了， 看完这个就忍不住想， 什么时候才有第七季呢
一个好剧本让徐峥不再演颓废中年，倪虹洁不再演妈，宁理不再演杀手，一群老戏骨轻松愉悦的氛围下拍了一个好电影
两个可可爱爱的熟悉的配方调和出来的故事：温柔的夏目和傲娇的娘口三三，喜欢各种夏日祭奠感活动的妖怪和总是在纠结自己和夏目“差距”的田沼= =
srds这个剧场版好无聊，以及三筱的人形是真的帅
夏天果然还是要看夏目才足够温暖美好 这么温柔善良的男孩到底哪里找啊啊啊啊QAQ 每看一次都提醒自己不可结缘 后会有七！
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