Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
就挺无聊的。只模仿到了怪奇物语的皮，没领会核心要义
仍旧是长篇铺垫，不过没有太多效果，妹妹的过去和现在完全还是空白一片，编剧继续挖坑，人物越来越多，可惜熟悉精彩的高能打斗画面这一部一点没有，2个多小时，你给我打10分钟？还有这是开始朝超能力方向发展了？意念攻击？原本对影片的期待变成赶紧讲完故事收工吧！
关于韩国人装中国人用中文说韩国综艺节目好看这件事 我没法接受啊
这么看的话第三部也在路上了，只是这个剧情就没有第一部那么有意思了。
有几场打戏还不错。//徐恩秀和李钟硕在里面青梅竹马的设定有点好嗑。
为什么我没看1却先看了2，我自己也百思不得其解（。
洛丽塔电影没有了洛丽塔，就只剩尴尬的对白了
全程都是傻、白、痴，不甜。这么牛逼，是不是下一部是姐姐妹妹要加入复仇者联盟啊。
不是，导演你自己看看第一部，弄出这玩意儿像话吗？真想看灭霸打架，我不去复习妇联？挑战人体极限拳拳到肉的动作戏才是这系列的卖点吧，合着换个身份高贵的208w女主就干脆改成站桩瞪眼珠子了？还有都2022年了，几句中文还特么能说的跟泰语似得，我看以后谁还吹韩娱有良心。哦对，最能看那段广告牌大战，确定不是抄《杀破狼》里甄子丹和吴京的对打吗？分镜和动作一比一复刻呢？建议港影快来维权。
跟第一部一样的毛病，一样的拍法。节奏方面没有进步，还是拖，都是最后来一场漂亮的动作戏结束。真是搞不懂，难道动作戏炫酷就能掩盖一切吗？好的动作戏是要带着“情感”的，没有人物的细节刻画，没有前期的铺平垫稳是不行的。看上去搭了一个国际性的故事框架，无非就是各方势力上台露个脸儿，装个范儿就完事儿。那几个上海来的小青年表演真尬，操着一口浓烈西八味儿的普通话，真是不考虑我们的感受啊，台词倒是挺中国化的，就不能找个中文配音吗，花点儿，花不了多少钱。
演的真尼玛装B，里面的蹩脚中文给我整尬了，完全是冲着动作戏来的
普通人类＜1代（女队长）＜2代（土味汉语一伙）＜3代（女主和姐姐）。
剧情稀碎，超能力离谱，脑子被子弹穿了还能活，胳膊碎了还能重生，恨不得一拳打穿地心，还能凭意念控制重力，你你你咋不上天呢！
2022.07.28观于北市。说实话，不如看记忆深处火山高校去，那是多少年前来着，比这符合逻辑，流水账吧，第三集怎么编。
一般般，开头云山雾绕，中间啰哩叭唆，最后稀里哗啦。本来看过第一部很期待第二部，结果一路装逼，中文稀烂，比起第一部层层递进，最后爆发差太多。
lyu说韩国女人真是爱揪女人头发啊……飞出去也是薅着头发发力的🥹 我想说这个女主的钱好好赚 一个眼神 挥一挥手剩下的全是化妆和特效组在忙活
确实不如第一部，技能太夸张了，反而不如第一部的动作场面好看。文戏更多更乱了，各方势力都没说清楚。
没有什么是比韩国人一本正经地说中文更搞笑的事了。动作戏的畅快帅气感觉到了拍《龙珠》真人版的方向。剧情就实在是无力吐槽了，犹如拍了个第一部的抖音解说版，即便如此，希望还是能有第三部。
不如第一部，因为超能人造人的设定已经显露在外，没什么新意。处于食物链顶端的生物杀人就像儿戏，几帮人博弈完全就是烘托出魔女的恐怖实力。但是女主的表演太死板，没什么表情，还不如上一部魔女姐姐出来的几分钟
真把第三集做出來還是會看的。嗯……
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