The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
虽然看过漫画，但还是被惊艳了一下。演出上几乎挑不出毛病，寥寥几笔，就勾勒出一个充满魅力的四人组（还有夏油），相比之下本篇的三人组都要黯然失色。片尾有彩蛋，大概是说纯爱战神回归主线？
#失礼だな、純愛だよ。 乙骨憂太的死んじゃダメだ连打实在是太出戏，直接幻听成了碇シンジ的逃げちゃダメだ…リカちゃん置换成綾波也毫无违和感…打戏真的很精彩。
打发打发时间得了，该有的套路都有，就是都很生硬，费不着功夫去挑刺
五夏人看完心如刀绞。说着正论的少年叛离亲友，唾弃大义的少年蒙上双眼。三年青春匆匆，十年对立寥寥，最后的最后，你还是说了「お帰り」。
噢！乙骨忧太和祈本里香的纯爱，夏油杰和五条悟的……姑且称之为友谊叭？作为前传挺好的。收悉的味道，啥时候第二季啊，好想看动画版的五条悟的卡姿蓝大眼睛👀布灵布灵✨✨✨
北美首映场。其实看过咒第零卷就知道不好改，剧情就那样，拍出来mappa很尽力想搞时髦，把高专回忆穿插得挺好的，尽力了，失败了，变成MV了。开头和EVA一模一样，乙骨回忆录，结尾也一模一样，甚至有个真嗣差不多的台词，我懂了那是葛城五条。王牛的两首歌都在结尾，不插在五条战里失望啊。剧场版了看夏油杰感觉更怪了，我更理解不了这个人了，很厉害，但做出来的事情这么没有水花。考哥配什么反派都白毛味十足。心情复杂，作为粉丝再一次感觉到咒术回战漫画......是真的差一点意思。于是乎现在非常矛盾。我的理智：mappa行不行啊，芥见下下是真的不行。 我的心情：今天全满但美国人居然都这么安静，我想着五条悟出场该欢呼了吧，安静如鸡，那可是五条悟！（想起来了七海出场大家都欢呼了，哈哈哈。）
真的太喜欢了！很还原，打斗也看得好爽～乙骨真的能把人帅死，拉着没看过漫画的对象一起看的，之前一直在念叨想看东堂，乙骨觉醒以后他一直在夸，笑死我了hhhh还有“我们就是纯爱”，莫名应景520了（真的是恰好今天想看
很满意…！MAPPA制作精良，剧情略显紧凑但没有失控。用一个词总结观感的话我会选“平衡”，在旧闻（正作里反复被提及的历史）和新故事的着墨、粉丝与新观众的要求、新角色和老角色的塑造之间寻找平衡。娜娜美赛高！
太太太太太好看了，但凡能在电影院看我能10刷55555，夏油——夏油可别把我帅死。各种名场面最喜欢的还是“夏油的咒术残余我不会弄错”“最后倒是说点诅咒人的话”“我唯一的挚友”，五条悟你好爱他，已婚已婚！！嗑拉了
！！！！！！！！！純愛萬歲i！！！！！！！！！！
动漫后看剧场版总让我有种开头节奏很奇怪的感觉。打架是真大制作啊看得我头皮发麻果然还是得来电影院 纯爱战神说出”是纯爱”的时候给我笑喷了
香香鳏夫/纯爱战神赛高！！！你咒唯一能打的bg啊啊啊！！！！
呜呜呜，狗卷前辈好帅😭😭！
补标 比起正片更喜欢纯爱战士的故事！是好看成熟的商业电影了
打发打发时间得了，该有的套路都有，就是都很生硬，费不着功夫去挑刺
二年组最高！乙骨的这是纯爱和五条的我唯一的亲友太戳泪点了！纯爱组两次记录出现都太帅了！
怪我听不懂日语吧
其他都还行，就最后主角说完名台词，以为要迎来高潮我屏气凝神准备看大战。结果画面一亮一黑，就大结局了，我：诶诶诶诶诶诶？？？？？( ；´Д｀)////追评：妈呀我看的时候也没想太多 因为没看原作还想五条悟你反正都让夏油杰活下去了整这么伤感干啥 结果最近才被剧透tv版是抢了身体的脑花哭惹！！！再想想影版最后的告别 整个一个回旋镖直刀我脑门😫
漫画本身就不算紧凑，前期单元剧依次组队露脸。动画把这方面的缺点更放大了，节奏怪怪的。原作偶有让人泪目的点，比如那句“加油，忧太”，完全没感动起来。
对声优不敏感的我，男主一开口，这tm不是真嗣？某些部分剧场版打斗作画没有tv好是怎么回事？但是最后还是看爽了。
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